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Alec Hanley Bemis is a writer and manager of cultural projects who lives in Brooklyn, New York.

In 2001, Bemis co-founded Brassland^[1] with Aaron Dessner and Bryce Dessner who are known for their prominent role in American independent music (i.e. performing roles in The National and Clogs, and curatorial roles in the Dark Was the Night compilation and MusicNOW Festival). Brassland was initially created as a vehicle to release the debut recordings by The National and Clogs. Today it documents the work of an international community of musicians surrounding The National.^{[citation needed]}

The Guardian newspaper called it "the record label at the centre of New York's other music scene" and "a focus for some of the city's most intriguing and creative musicians."^[2]

Bemis worked as a manager and consultant with artists including Alexi Murdoch, !!!, Dirty Projectors, and The Barr Brothers, entities such as All Tomorrow's Parties and Cantaloupe Music, and performing arts institutions including Australia's Adelaide Festival, Ireland's National Concert Hall, and Greece's Stavros Niarchos Foundation. He has served on the board of directors for both WYBC and Manhattan New Music Project,^[3] a non-profit that sends musicians to teach in New York City schools. He frequently emphasizes the importance of collaboration in creating music and culture, stating that Brassland was created to "foster the growth of the bands and the community around them."^[4][5]

Previous to starting the label, Bemis had an active career as a writer. In the 1990s, he published Jaboni Youth fanzine, focusing on the nascent American independent music scene. In the early 2000s he worked as a journalist for LA Weekly, The New York Times,^[6] The New Yorker,^[7] and the Los Angeles Times. Since the mid-2000s, his writing has primarily appeared on personal social network sites and occasionally blogs^[8] such as Arcade,^[9] a humanities site published by Stanford University. From 2012 to 2016, he hosted a radio show^[10] webcast by Alanna Heiss's Clocktower Productions. In autumn 2020, an article he wrote for The Creative Independent was widely disseminated on the internet. It was called "19 things I'd tell people contemplating starting a record label (after running one for 19 years)".^[11] it was a mix of advice, warnings, and personal history gleaned from almost two decades of operating Brassland. It was followed by an appearance on the Third Story podcast.^[12]

• Baby Dayliner - High Heart & Low Estate
• Baby Dayliner - Critics Pass Away
• Buke & Gass - Riposte
• Clogs - Thom's Night Out
• Clogs - Lullaby for Sue
• Clogs - Stick Music
• Clogs - Lantern
• Clogs - Veil Waltz EP
• Clogs - The Creatures in the Garden of Lady Walton
• Clogs - Last Song EP
• Devastations - Devastations
• Devastations - Coal
• Doveman - With My Left Hand I Raise the Dead
• Doveman - Footloose
• Doveman - The Conformist
• Erik Friedlander - Maldoror
• The National - The National
• The National - Sad Songs for Dirty Lovers
• The National - Cherry Tree
• Pela - All In Time EP

• Alarm Will Sound - Michael Gordon: Van Gogh
• Bang on a Can All-Stars - Brian Eno: Music for Airports (Live)
• Burkina Electric - Paspanga
• Arnold Dreyblatt - Resonant Relations
• Florent Ghys - Baroque Tardif: Soli
• Michael Gordon - [purgatorio] POPOPERA
• Michael Harrison - Revelation: Music in Pure Intonation
• Phil Kline - John the Revelator
• David Lang - Music From the Film (Untitled)
• Lisa Moore - Seven: Music by Don Byron
• Tristan Perich - 1-Bit Music
• Sentieri Selvaggi - Plays Gavin Bryars & Philip Glass
• Julia Wolfe - Dark Full Ride: Music in Multiples

• Brassland
• AlecHanleyBemis.com (writing archive site)
• A series of video interviews at InFrame.TV
• A series of video interviews at Artists House Music