Ensiklopedia Dunia

Technopedia Center

Faculty of Engineering and Computer Science
S1 Informatics S1 Information Systems S1 Information Technology S1 Computer Engineering S1 Electrical Engineering S1 Civil Engineering

faculty of Economics and Business
S1 Management S1 Accountancy

Faculty of Letters and Educational Sciences
S1 English literature S1 English language education S1 Mathematics education S1 Sports Education

Spoleto Cathedral - Wikipedia

Coordinates: 42°44′07″N 12°44′26″E / 42.73528°N 12.74056°E

From Wikipedia, the free encyclopedia

(Redirected from Cathedral of Spoleto)

Spoleto Cathedral Cattedrale di Santa Maria Assunta
West front of Spoleto Cathedral
Religion
Affiliation	Roman Catholic
District	Archdiocese of Spoleto-Norcia
Rite	Roman
Ecclesiastical or organizational status	Cathedral
Location
Location	Spoleto, Italy
Geographic coordinates	42°44′07″N 12°44′26″E / 42.73528°N 12.74056°E / 42.73528; 12.74056
Architecture
Type	Church
Style	Romanesque

Spoleto Cathedral (Italian: Cattedrale di Santa Maria Assunta; Duomo di Spoleto) is the cathedral of the Archdiocese of Spoleto-Norcia created in 1821, previously that of the diocese of Spoleto, and the principal church of the Umbrian city of Spoleto, in Italy. It is dedicated to the Assumption of the Blessed Virgin Mary.

The church is essentially an example of Romanesque architecture, with a nave and two side-aisles crossed by a transept, although subsequently modified. It was built from the second half of the twelfth century after the city had been devastated by Frederick Barbarossa's troops, over an area where there had previously stood an earlier cathedral, dedicated to Saint Primianus (San Primiano)^[1] and destroyed by the emperor. A notable external porch and the belfry were added in the fifteenth and sixteenth century respectively.

The façade is divided into three bands. The lower one has a fine architraved door with sculpted door-posts. Two pulpits are provided on each side of the porch. The upper bands are separated by rose windows and ogival arches. The most striking feature of the upper façade is the Byzantine-hieratic mosaic portraying Christ giving a Benediction, signed by one Solsternus (1207). He signed his work with the inscription "Doctor Solsternus, hac summus in arte modernus" (doctor Solsternus, supremely modern in his art ), calling himself an outstanding modern artist. Nothing else is known about him. He was certainly ahead of his contemporaries, because it would take half a century before the mosaics in Roman churches would surpass his style. The part of the belfry contemporary with the church reuses Roman and early medieval elements.

Mosaic "Blessing Christ" (1207) by the Byzantine Solsternus

The interior was significantly modified in the 17th–18th centuries, though it has kept the original Cosmatesque floor of the central nave remains. Another survival is the frescoed apse with four scenes from the Life of the Virgin, begun in 1467 by Filippo Lippi and completed two years later by his pupils Fra' Diamante and Piermatteo Lauro de' Manfredi da Amelia. Lippi is buried in the south arm of the transept.

Also noteworthy are the altar cross by Alberto Sozio, dated 1187, a Byzantine icon donated to the city by Barbarossa as a sign of peace and the frescoes by Pinturicchio in the Chapel of the Bishop of Eroli. Other frescoes from the 16th century are in the next chapel. The church also contains a polychrome wood statue of the Madonna (14th century) and a choir (16th century) with painted altar and tabernacle, in the Chapel of the Relics, under which lies the crypt of the former cathedral of San Primiano.

Notes

^ Saint Primianus is one of three saints with origins in Larino in Molise; his feast is still celebrated there on May 15, but the chapel dedicated to him is on the outskirts of the town. The historical account suggests that his remains were stolen from Larino by the citizens of nearby Lucera after Larino had been ravaged by Saracens. The Larinesi, going out to reclaim their patron, made off instead with Lucera's San Pardo, returning home with him in an ox-cart wreathed with flowers. In the hagiography it becomes the living Primianus who fled Larino, pronouncing a curse on its citizens, an inversion to account for San Pardo's primacy in Larino's twelfth-century cathedral. (Ricci)

External links

Media related to Duomo (Spoleto) at Wikimedia Commons
Article with pictures (in Italian) (Archived: 28 June 2010)
Nino Ricci, "Home of the Saints"
Primiano, Firmiano, and Casto in Larino
Paradoxplace Photo Pages of Spoleto Cathedral

v t e Landmarks of Umbria
Assisi Cathedral Basilica of San Francesco d'Assisi Basilica of Santa Maria degli Angeli Fontana Maggiore Gubbio Orvieto Cathedral Palazzo Trinci Perugia Cathedral Spoleto Cathedral Temple of Clitumnus Historical center of Todi

Categories:

Hidden categories:

Authority control databases
International	VIAF
National	Germany Israel
Other	IdRef