Italophilia is the admiration, appreciation or emulation of Italy, its people, culture and its contributions to Western civilization.^[2][3][4] Its opposite is Italophobia.^[5]

Italophilia may overlap with Romanophilia as an appreciation of Italy's pre-Medieval history, namely Ancient Rome.

If the origins of the Western intellectual heritage go back to the Greeks and, less directly, to the peoples of Egypt and the Near East, Rome contributed to spreading it. In fields such as language, law, politics, religion, and art Roman culture continues to affect our lives.^[6] Rome was the centre of an empire that stretched across a large segment of the then-known world and later became the centre of the Christian faith. Ancient Italy is identified with Rome and the so-called Romanophilia.

Despite the fall of the Roman Empire, its legacy continued to have a significant impact on the cultural and political life in Europe. For the medieval mind, Rome came to constitute a central dimension of the European traditionalist sensibility. The idealisation of this Empire as the symbol of universal order led to the construction of the Holy Roman Empire. Writing before the outbreak of the First World War, the historian Alexander Carlyle noted that "we can without difficulty recognize" not only "the survival of the tradition of the ancient empire" but also a "form of the perpetual aspiration to make real the dream of the universal commonwealth of humanity".^[7]

During much of the Middle Ages (about the 5th century through the 15th century), the Roman Catholic Church had great political power in Western Europe. Throughout its history, the Catholic faith has inspired many great works of architecture, art, literature, and music. These works include French medieval Gothic cathedrals, the Italian artist Michelangelo's frescoes in the Vatican, the Italian writer Dante's epic poem The Divine Comedy, and the Austrian composer Wolfgang Amadeus Mozart's Requiem.

As for Italian artists they were in demand almost all over Europe. Torrigiano and Zuccari worked in England, Masolino in Hungary, Luca Cambiasi and Pellegrino Tibaldi in Spain, Jacopo Sansovino in Portugal, Morando and others in Poland. The demand seems to have been greatest in France, more especially at the French court, which employed (among others) Leonardo da Vinci, Rosso, Primaticcio, Niccolò dell'Abbate and Sebastiano Serlio. Italian craftsmen were engaged to work on building sites from Munich to Zamość. Italian actors performed at the courts of France, Spain, Poland and elsewhere.

The Italian language was fashionable, at court for example, as well as Italian literature and art. The famous lexicographer John Florio of Italian origin was the most important humanist in Renaissance England.^[8] and contributed to the English language with over 1,969 words.^[9] William Shakespeare's works show an important level of Italophilia, a deep knowledge of Italy and the Italian culture, like in Romeo and Juliet and The Merchant of Venice. According to Robin Kirkpatrick, Professor of Italian and English Literatures at Cambridge University, Shakespeare shared "with his contemporaries and immediate forebears a fascination with Italy."^[10] In 16th century Spain, cultural Italophilia was also widespread (while the Spanish influence in Southern Italy was also great) and the king Philip IV himself considered Italian as his favourite foreign language.

The movement of "international Italophilia" around 1600 certainly held the German territories in its sway, with one statistic suggesting that up to a third of all books available in Germany in the early 17th century were in Italian.^[11] Themes and styles from il pastor fido were adapted endlessly by German artists, including Opitz, who wrote several poems based on Guarini's text, and Schütz himself, whose settings of a handful of passages appeared in his 1611 book of Italian madrigals. Emperors Ferdinand III and Leopold I were great admirers of Italian culture and made Italian (which they themselves spoke perfectly) a prestigious language at their court. German baroque composers or architects were also very much influenced by their Italian counterparts.

During the 18th century, Italy was in the spotlight of the European grand tour, a period in which learned and wealthy foreign, usually British or German, aristocrats visited the country due to its artistic, cultural and archaeological richness. Since then, throughout the centuries, many writers and poets have sung of Italy's beauty; from Goethe to Stendhal to Byron, Italy's natural beauty and her people's creativity inspired their works. Percy Bysshe Shelley famously said that Italy is "the paradise of exiles."^[12]

Italiophilia was not uncommon in the United States. Thomas Jefferson was a great admirer of Italy and ancient Rome. Jefferson is largely responsible for the neo-classical buildings in Washington, D.C. that echo Roman and Italian architectural styles.

Spain provided an equally telling example of Italian cultural admiration in the 18th century. The installation of a team of Italian architects and artists, headed by Filippo Juvarra, has been interpreted as part of Queen Elisabeth Farnese's conscious policy to mould the visual culture of the Spanish court along Italian lines. The engagement of Corrado Giaquinto from Molfetta and eventually the Venetian Jacopo Amigoni as the creators of the painted decorative space for the new seat of the Spanish court was a clear indication of this aesthetic orientation, while the later employment of Giovanni Battista Tiepolo and his son Giovanni Domenico confirmed the Italophile tendency.

A Ferrari Portofino (left) and a Lamborghini Huracán (right). Ferrari and Lamborghini are two of the most popular and acclaimed Italian brands.

The Victorian era in Great Britain saw Italophilic tendencies. Britain supported its own version of the imperial Pax Romana, called Pax Britannica. John Ruskin was a Victorian Italophile who respected the concepts of morality held in Italy.^[13] Also the great writer Henry James has exhibited Italophilia in several of his novels. However, Ellen Moers writes that "In the history of Victorian Italophilia no name is more prominent than that of Elizabeth Barrett Browning....[She places] Italy as the place for the woman of genius ..."^[14]

Italian patriot Giuseppe Garibaldi, along with Giuseppe Mazzini and Camillo Benso, Count of Cavour, led the struggle for Italian unification in the 19th century. For his battles on behalf of freedom in Europe and Latin America, Garibaldi has been dubbed the "Hero of Two Worlds." Many of the greatest intellectuals of his time, such as Victor Hugo, Alexandre Dumas, and George Sand showered him with admiration. He was so appreciated in the United States that Abraham Lincoln offered him a command during the Civil War, (Garibaldi turned it down).^[15]

In 1940 Walt Disney Productions produced Pinocchio based on the Italian children's novel The Adventures of Pinocchio by Carlo Collodi, the most translated non-religious book in the world and one of the best-selling books ever published, as well as a canonical piece of children's literature. The film was the second animated feature film produced by Disney.

After World War II, such brands as Ferrari and Alfa Romeo became well known for racing and sports cars. Since then Italy has experienced strong economic growth, particularly in the 1950s and 1960s, which lifted the country to the position of being one of the most industrialized nations in the world.^[16] Italian product design, fashion, film, and cuisine and the notion of Italy as the embodiment of la dolce vita for German tourism — all left an imprint on contemporary Italophilia.

Rome was the centre of the Roman Empire that stretched across a large segment of the then-known world, and later became the centre of the Roman Catholic faith. Roman civilization was transplanted to many parts of Europe, the Mediterranean basin, North Africa and the Near East in the form of law, architecture, engineering, roads, aqueducts, public baths, sanitation, trade, literature, art, libraries, hospitals and agriculture.^[18] It was possible for the people in the provinces to attain Roman citizenship, rise to the Senate, and even to become Roman emperor. The Roman provinces, having received much of the benefit of Roman civilization, became Romanized to a large degree. Winston Churchill states:

For nearly 300 years Britain, reconciled to the Roman system, enjoyed in many respects the happiest, most comfortable, and most enlightened times its inhabitants have ever had.^[19]

The Christian faith was viewed in Rome as contrary to prevailing religious and political beliefs and, consequently, was suppressed. Many Christians in Rome and elsewhere were persecuted. After the conversion of Emperor Constantine to Christianity in 312 AD, Christianity flourished and became an integral part of Roman life. Roman Catholicism, which combined Christianity and Roman administration, emerged in a form easily recognizable today and took root in Rome and much of the Roman Empire.^[20] The Church adopted many religious customs and forms common in pre-Christian Rome, such as the stole and other vestments, the use of incense and holy water in purifications, burning candles before the altar, the veneration of saints, the architecture of the basilica, the law of Rome as a basis for canon law, the title Pontifex Maximus for the Pope, and Latin as the language of Catholic ritual.^[21]

The cultural patrimony of Roman literature, architecture and sculpture inspired many of the achievements of the Middle Ages and Renaissance in Italy and the rest of Europe. Works by poets, authors and historians, such as Ovid, Horace, Catullus, Lucretius, Cicero, Virgil, Livy, and Tacitus had a far-reaching impact on the Western world.

The legacy of Rome is apparent in the Western world, and elsewhere, in numerous ways, such as:

• The Roman alphabet
• Roman numerals
• Names of the planets
• Names of the months
• Names of the days of the week (in Romance-language countries)
• Julian Calendar (used for almost 1500 years), replaced in 1582 by the Gregorian Calendar
• Systems of government and law based on Roman models
• First modern concept of a hospital
• Latin-derived languages in Italy, Belgium, France, Portugal, Moldova, Romania, Spain, Switzerland and, by extension, the languages of many Latin American and African nations
• Languages heavily influenced by Latin, such as Modern English (approximately half Latin based) and Albanian.
• The Roman arch
• Techniques used in building roads, bridges, aqueducts, viaducts, etc.
• Use of concrete as a building material
• The stadium
• Winemaking cultures in Italy, France, Spain, Portugal, Austria and Southern Germany

After the fall of the Roman Empire, its vast governmental network provided a structure for the Roman Catholic Church's ecclesiastic rule. The bishops, rather than the Roman prefects became the source of order and the seat of power.^[21] In many important ways, the Roman Catholic Church became the successor of the Roman Empire. The Church and its Pope were major stabilizing influences in Europe in the centuries that followed. In the words of historian Will Durant (in The Story of Civilization: Caesar and Christ):

Rome died in giving birth to the Church; the Church matured by inheriting and accepting the responsibilities of Rome.

The civilization of Italy continued to be a cultural force that helped preserve Greco-Roman civilization and ideals during this period. Latin, the indigenous language of the Italic people, became the universal language of the Catholic Church and, generally, of culture and learning in Europe.

Western Monasticism, as first practised by the followers of Saint Benedict, born in Nursia in 480 AD, spread from Italy to all parts of Europe. The Benedictine monks were a very important factor in preserving Greco-Roman culture and learning for later centuries.

The earliest known letter notation in the Western musical tradition appears in a book on music by the 6th-century philosopher Boethius ("De Institutione Musica"). Gregorian Chant, an outgrowth of Roman plainchant, strongly influenced both liturgical and secular music during the Middle Ages. An Italian monk, Guido of Arezzo (born in 991), developed the form of musical notation that became the basis of Western music and, subsequently, of music worldwide.

Saint Francis of Assisi (born Giovanni di Bernardone in Assisi in 1181) was a friar who founded the men's Order of Friars Minor and the women's Order of St. Clare, both of which attracted many followers from all over Europe. He became one of the most venerated religious figures in Catholic Church history.

Saint Thomas Aquinas, a Dominican priest born in Aquino in 1225, was a philosopher and theologian. He was one of the greatest minds of the Middle Ages, and he had a widespread influence on Western thought. He was considered then, as he is now, to be the greatest theologian and philosopher of the Catholic Church. He is best known for his major work, the Summa Theologica.

Educated people in Europe were familiar with the works of Dante and Boccaccio, which dominated the literature of the Middle Ages, and with their contemporary Petrarch, who had established the most important lyric poetry tradition in Europe. These works had a significant influence on Shakespeare, Chaucer and many other writers of the Middle Ages and Renaissance.

Students and scholars came from all over Europe to study at institutions of higher learning in Italy. The Medical School at Salerno, founded in the ninth century, was the world's first medical school, and unrivalled in the Middle Ages. The University of Bologna, the first modern university, was founded in Bologna in 1088. The University of Padua, the second oldest university in Italy, was founded in 1222 as a school of law. The University of Naples, founded in 1224, was the world's first state-supported university.

During the Middle Ages, the vitality of Italian merchants was evident throughout Europe, and the resultant trade prompted their invention of financial and business practices which provided the foundation for modern banking, commerce and capitalism.^[23] The original banks were "merchant banks" that Italian grain merchants first invented in the Middle Ages. Merchants and bankers grew in stature based on the strength of the Lombard plains cereal crops, and capitalism evolved based on these banks.

Indeed, banking (from the Italian word for "bench") can be traced to medieval and early Renaissance Italy, to the rich cities in the north such as Florence, Venice and Genoa. The Bardi and Peruzzi families dominated banking in 14th-century Florence, establishing branches in many other parts of Europe.^[24] Perhaps the most famous Italian bank was the Medici bank, established by Giovanni Medici in 1397.^[25] The development of banking spread from northern Italy through Europe during the early Renaissance and helped create modern capitalism. Luca Pacioli is referred to as the "Father of Accounting"

The Bank of Saint George (Casa delle compere e dei banchi di San Giorgio) was a bank of the Republic of Genoa, which was the main financer of the voyages of Columbus to the New World by Spain, founded in the 14th century.^[26] It is the oldest chartered bank in Europe and the world. The Banca Monte dei Paschi di Siena, founded in 1472, is the world's oldest or second oldest bank in continuous operation, depending on the definition, and the fourth-largest Italian commercial and retail bank.^[27]

The Italian Renaissance was to a large extent an expression of humanism, that led to one of the most productive and significant periods in human history in the arts, literature, medicine and science. Greeks fleeing the Turkish invasion of the Byzantine Empire flocked to Italy, and helped spur the Renaissance and interest in ancient Greek texts. The Italian Renaissance also transformed art and humanism across Europe, and set the stage for the Enlightenment.^[28]

In the words of historian Will Durant (in The Story of Civilization: The Renaissance):

From 1500 to 1600 all Western Europe acknowledged her as the mother and nurse of the new civilization of science and art and the humanities ... So the sixteenth century, when the Renaissance declined in Italy, was an age of exuberant germination in France, England, Germany, Flanders, and Spain.^[29]

Giotto, born in 1267, is recognized as the first great artistic genius of the Italian Renaissance. His ability to portray human emotions distinguished him from the artists of the Middle Ages, and he established a style of painting that would be widely emulated in Italy and, later, elsewhere in Europe. Italian Renaissance painters and sculptors, such as Leonardo da Vinci and Michelangelo Buonarroti, and scores of others of the first rank, were greatly admired and acclaimed, and had a widespread influence on artistic concepts and esthetic standards throughout Europe.

Italian artists, beginning with Giotto, mastered the use of perspective and chiaroscuro (light and shadow), which had a widespread influence on Western art. Brunelleschi, an architect, was the first to explain perspective in terms of a well-defined set of geometric rules. Some science historians credit the mastery of chiaroscuro, together with the discovery of the rules of perspective, as of fundamental importance in the development of modern science.^[30][31][32]

Aldus Manutius (Aldo Manuzio) (1449 – 1515) was one of the foremost intellectuals and humanists of the Renaissance but is most renowned as an early entrepreneur and innovator in the new printing media. In over 20 years in which his Aldine Press (established 1494) was in operation, he published many classic works from antiquity. He was the first to publish pocket-size volumes, achieving this by using standardized typefaces. He was the innovator of the first italic type, along with other typefaces and typographical characters.

Leonardo da Vinci, born in 1452 in Vinci, was a painter, sculptor, architect, musician, mathematician, engineer, inventor, anatomist, geologist, cartographer, botanist, and writer. His genius, perhaps more than that of any of his contemporaries, epitomized the creative energy of the Renaissance. He is widely considered to be one of the greatest painters of all time, and his Mona Lisa is regarded by many to be the most famous painting in the world. His anatomical drawings have never been surpassed in detail and accuracy, and are still in use today.^[33]

Michelangelo was born in Florence in 1475 and, like Leonardo, was a true Renaissance man. He was a sculptor, painter, architect, poet, and engineer who exerted an unparalleled influence on the development of Western art He was considered the greatest living artist of his lifetime and, since then, one of the greatest artists of all time. His two best-known sculptures, the Pietà and David, are famous throughout the world. Michelangelo also created two of the most famous and influential frescoes in the history of Western art: the scenes from Genesis covering the ceiling of the Sistine Chapel, and The Last Judgment on the altar wall of the chapel.

Renaissance architecture of the 15th and 16th centuries was a revival of elements of ancient Greek and Roman architecture.^[34] It first developed in Florence, with Brunelleschi, Alberti and Palladio being among its innovators, and soon spread to other Italian cities, and later to France, Germany, England, Russia and other parts of Europe. The Renaissance style placed emphasis on symmetry, proportion, geometry and the regularity of parts as exemplified in the architecture of classical antiquity and in particular in the architecture of ancient Rome, of which many examples remained. It was succeeded by Baroque architecture.

Italian singers, composers, dancers and actors had a great impact on music and the performing arts. Palestrina, Monteverdi and Frescobaldi were responsible for musical innovations that were seminal in the development of Western music. Italian Commedia dell'arte was an art form that had a great influence in the performing arts, not only in Italy but in many other parts of Europe as well.

Ballet began in 15th-century Renaissance Italy. The foot positions and steps that make up classic ballet were created by Renaissance dance masters in the 1400s. Wealthy Italian nobles staged elaborate court dances to celebrate events such as weddings or the birth of an heir. The choreographers of these Renaissance spectacles became known as ballet masters. One of the earliest ballet masters, Domenico da Piacenza, wrote dance manuals describing the steps, with diagrams of the figures and patterns created by the movements, which allowed the dances to be recreated in other courts throughout Europe. He used the word "ballo", the Italian word for dance, to describe his choreography. When Catherine de Medici married King Henry II of France, she brought the Italian dance tradition with her to France.^[35]

The flourishing of arts in Tudor England during the English Renaissance attracted many Italian artists and musicians to the country.^[36] William Shakespeare is said to have exhibited Italophilia in his many works with an Italian setting, such as Romeo and Juliet and The Merchant of Venice.^[37] Spenser's epic poem The Faerie Queene was greatly influenced by Italian epic poems, particularly Ludovico Ariosto's Orlando furioso (1532), and Torquato Tasso's Gerusalemme liberata (1581). Francis I, king of France, initiated the French Renaissance by attracting many Italian artists, including Leonardo da Vinci, to his court. French theatre of the 17th century was rooted in the theatre of 16th-century Italy. Poland was strongly influenced by Italian artisans, painters, sculptors and architects, such as the sculptor, Giammaria Mosca,^[38] whose many commissions included the tomb of the king of Poland. The Spanish writer, Cervantes, was greatly influenced by Italian literature, which is readily discernible in his own works.^[39] Spanish theatre of the 17th century was strongly influenced by Italian models.

The University of Bologna, the first modern university, was a leading centre of mathematical studies in the 16th century, and it was there that Niccolò Fontana Tartaglia developed the method of solving cubic equations, an achievement previously considered impossible. Extending Tartaglia's work, Lodovico Ferrari devised a similar method to solve quartic equations, and both solutions were published by Gerolamo Cardano. The solutions to the cubic and quartic equations used, for the first time, what are now known as complex numbers, although it was another Bologna mathematician, Rafael Bombelli, who first explained what complex numbers are, and how they could be used. Complex numbers have since found practical applications in many fields, including physics, chemistry, biology, economics, electrical engineering, and statistics. Later, Cardano published the first systematic treatment of probability.

Italy was a centre of commerce and Italian explorers and merchants, such as the Venetian Marco Polo, and the Italian maritime republics moved all around the known world. The Genoese explorer Christopher Columbus (Italian: Cristoforo Colombo) was the first European to reach the land which is now called North America in 1492, and the subsequent colonization of the continent changed world history forever. Another Italian navigator, Amerigo Vespucci, was the source of the name given to the New World. They were followed by other New World navigators from the Italian peninsula, notably the Venetians John Cabot ((Italian: Giovanni Caboto)) and Sebastian Cabot ((Italian: Sebastiano Caboto)), and the Florentine Giovanni da Verrazzano.

Beginning in the 16th century, Italian states came under the political control of more powerful European monarchies; however, Italy continued to be a source of creative energy in art, science, music and medicine. Enlightenment thinkers, like Renaissance thinkers, were interested in pre-Christian Greek and Roman thought.

Aloysius Lilius (1510 – 1576), also variously referred to as Luigi Lilio or Luigi Giglio, was an Italian doctor, astronomer, philosopher and chronologist, who is recognized as the primary developer of the Gregorian Calendar reform of 1582 which, since then, has been used worldwide.

Galileo, born in 1564 in Pisa, was the most famous scientist of his age, and played a major role in the Scientific Revolution. He is often referred to as the "Father of Modern Science". His achievements include a greatly improved telescope, which he employed in making astronomical observations supporting the heliocentric theory of Copernicus; and also the experiments he carried out leading to his law of falling bodies, which was of key importance in Newton's synthesis of his own famous three laws of motion.

Bonaventura Cavalieri, a Jesuit priest and mathematician, born in 1598, is known for his work on indivisibles, a precursor of infinitesimal calculus, and for Cavalieri's principle in geometry, which partially anticipated integral calculus. Joseph-Louis Lagrange, born Giuseppe Luigi Lagrangia (1736–1813), was a mathematician and astronomer. He originated the Calculus of Variations and made significant contributions to the fields of analysis, number theory, and both classical and celestial mechanics. Lagrange was also a member of the committee of the Académie des Sciences that developed the Metric System.

Alessandro Volta, born in Como in 1745, invented the first true electrical battery, known as the voltaic pile. It provided a continuous source of electric current, which greatly benefitted Ampere, Ohm and other electrical experimenters in their development of basic electrical theory. A unit of electricity (volt) is named in his honour.

Italians such as Fallopio, Eustachi, Malpighi, Morgagni and Valsalva were important pioneers of modern anatomy at the University of Bologna and University of Padua, which drew students from all over Europe. Padua's famous anatomical theatre was renowned in Europe at the time, and the great English medical scientist William Harvey received his education there.^[44]

Cesare Beccaria, a philosopher, jurist and marquis wrote On Crimes and Punishments (1754), dealing with the abolition of torture and capital punishment, which had a great impact throughout Europe and in the United States. It strongly influenced intellectuals and politicians in the Age of Enlightenment and led to a revolution and reform of judiciary systems to the prevailing modern concept. In 1786, Grand Duchy of Tuscany was the first to abolish capital punishment.

Giordano Bruno had a great influence on 17th-century scientific and philosophical thought and, ever since, his ideals have been absorbed by many philosophers. Bruno's freedom of thought inspired European liberal movements of the 19th century. The significance of Bruno's work lies in his cosmological theories, which anticipated some fundamental aspects of the modern concept of the universe; his ethical ideas, in contrast with religious ascetical ethics, which appealed to modern humanistic activism; and his ideals of religious and philosophical tolerance.

Giambattista Vico was a political philosopher, rhetorician, historian, and jurist, who is recognized as one of the great Enlightenment thinkers. He criticized the expansion and development of modern rationalism and was an apologist of classical antiquity. His major work, Scienza Nuova, published in 1725, has been highly influential in the philosophy of history, into the 20th century.

Opera originated in Italy at the end of the 16th century (with the opera Dafne, which was composed by Jacopo Peri, and produced in Florence in 1598), and soon spread to the rest of Europe. Italian opera was adapted by French, German and Russian composers, who developed their own national schools of opera.

Italian instrumental music was studied and emulated all over Europe. The sonata, concerto, sinfonia, oratorio and other musical forms all originated in Italy. Italian terminology defining the tempo and mood of a musical passage was universally adopted in Western music. The music of Italian composers, such as Corelli, Scarlatti, and Vivaldi, was studied or transcribed by many other composers of the day, most notably Bach. In addition, many composers, such as Handel, Gluck and Mozart studied or worked in Italy, and subsequently became famous for their instrumental music and operas.

The fortepiano, the fore-runner of the modern piano, was invented by Bartolomeo Cristofori in Florence around 1725, and soon replaced the harpsichord as a solo and ensemble keyboard instrument.

The family of stringed instruments, consisting of the violin, viola, cello and contrabass evolved in Italy in the mid-16th century. Antonio Stradivari, Andrea Guarneri, Nicolo Amati and other master instrument makers crafted stringed instruments that were highly prized, widely imitated, but never equalled.

The education of upper-class young men was expected to be completed by a "grand tour" of Italy to be exposed to the visible legacies of its classical culture, as well as to its contemporary culture of music, literature, art and architecture. Famous examples included Goethe, Keats, Lord Byron and Shelley. Many of the nobility and royalty of the time visited Italy as a part of their education. Keats said that the country was a "paradise of exiles".^[45] John Ruskin was a Victorian Italophile who respected the concepts of morality held in Italy.^[46]

Romanticism coincided with some ideas of the Risorgimento, the patriotic movement that brought Italy political unity and freedom from foreign domination. Italian writers embraced Romanticism in the early 19th century. The time of Italy's rebirth was heralded by the poets Vittorio Alfieri, Ugo Foscolo, and Giacomo Leopardi. The works by Alessandro Manzoni, the leading Italian Romantic, are a symbol of the Italian unification for their patriotic message and because of his efforts in the development of the modern, unified Italian language; his novel The Betrothed was the first Italian historical novel to glorify Christian values of justice and Providence, and it is generally ranked among the masterpieces of world literature.^[47] This novel is a fundamental milestone in the development of the modern, unified Italian language.^[48]

Italian universities and medical schools attracted students and scholars from across Europe. Some historical figures who made a large impact on science, including Copernicus and Harvey, were educated in Italy.

At the end of the eighteenth century, Italiophilia was not uncommon among the founders of the United States, and some of the creators of the U.S. Constitution, such as Thomas Jefferson and Benjamin Franklin, looked to Roman models upon which to base the American systems of government and law.^[49] The founding fathers were also interested in Renaissance political thinkers and humanists like Machiavelli, and how Italian republics functioned. Jefferson was among the most conspicuous of the early American Italophiles.^[50] He was especially impressed with Italian architecture, and based the design of his Virginia residence, Monticello, on prints by Palladio, the 16th-century Italian architect.^[51] The Jefferson Memorial in Washington DC, erected in honour of Jefferson, is a neo-Palladian imitation of the Pantheon in Rome. The Palladian style of architecture appears elsewhere in the U.S. Capital, and the White House itself was inspired by it. (Congressional Resolution n. 259 of 6 December 2010 recognized Palladio as the Father of American Architecture.)

The influence of Italian culture and artistry during this era is expressed by Luigi Barzini:

Italian architects and masons built part of the Kremlin in Moscow, and the Winter Palace in Leningrad. Italian artists embellished the Capital in Washington. They have strewn churches, princely palaces and stately villas all over Catholic Europe, especially in Vienna, Madrid, Prague and Warsaw. Their influence on architecture was felt almost everywhere. They taught poetry, statesmanship and trade to the English; military art to the Germans; cuisine to the French; acting and ballet to the Russians; and music to everyone.^[52]

In addition to the Philhellene movement, the young English Romantic poets of the early 19th century were also deeply drawn to Italy and its rich culture and history. John Keats' poem Isabella, or the Pot of Basil was directly inspired by a story in Giovanni Bocaccio's Decameron. Percy Bysshe Shelley's The Cenci is a retelling of the life of the 16th-century Italian noblewoman Beatrice Cenci, who murdered her abusive father. Part of Lord Byron's epic poem Childe Harold's Pilgrimage is set in Italy and was inspired by his Grand Tour journeys to Italy and the Near East.

All three poets spent a substantial part of their careers in Italy. Keats moved to Rome for health reasons in late 1820 and would die there six months later. Shelley wandered around the cities of Italy in self-imposed exile from 1818 onwards, during which he wrote some of his most acclaimed works. He drowned in a boating accident off La Spezia in 1822. Both men are buried in the Protestant Cemetery in Rome. Keats' apartment on the Spanish Steps is now known as the Keats–Shelley Memorial House, a museum dedicated to the life and works of Keats and Shelley as well as some of their near-contemporaries.

In 1861 Italy was united for the first time since the fall of the Roman Empire and became a modern industrialized country, where the tradition of creativity, scientific achievement and excellence in manufacturing continued.

Giuseppe Garibaldi, a central figure in achieving Italian independence, was called the "Hero of Two Worlds" because of his military enterprises to achieve independence for countries in South America as well. Garibaldi was admired by many of the greatest intellectuals of his time, such as Victor Hugo, Alexandre Dumas, and George Sand.

Maria Montessori, born in 1870, was a physician and educator who became known around the world for the educational method that bears her name, and for her writings on pedagogy. Her methods are in use today in schools throughout the world.

Toward the end of the 19th century, mathematicians Gregorio Ricci-Curbastro and Tullio Levi-Civita developed tensor calculus, which provided the mathematical framework for Einstein's General Theory of Relativity in the early 20th century.

In the early 20th century Pirandello, a Nobel Laureate, was the first European playwright to radically question the structures of traditional theatre. Since then, film directors and writers such as Fellini, Antonioni, Pasolini, Calvino, Eco and Fo have been recognized around the world. Italian neorealism in films, beginning after the Second World War, had a great impact on audiences around the world, and established a new philosophy of filmmaking adopted worldwide.

The legacy of Italian scientists Fermi (nuclear power), Meucci (telephone), and Marconi (radio), whose discoveries and inventions transformed the world, is widely recognized. Galileo Ferraris (1847 to 1897) was one of the pioneers of AC power and an inventor of the AC induction motor. His work on the induction motor and power transmission systems are widely regarded as technological achievements of the highest rank. At the same time that German scientists were making major advancements in physics, beginning with Max Planck, Italian scientists like Fermi's Via Panisperna group in Rome were making important fundamental discoveries in physics as well.

The first public flight of a jet-engined aircraft was that of the Italian Caproni Campini N.1 prototype on August 27, 1940. Italy was the fourth country in the world to build nuclear power plants, starting in 1955 (now decommissioned due to a popular referendum in 1987), and the third, after The United States and The Soviet Union, to launch a scientific earth satellite in the 1964 San Marco programme, using an American Scout missile as the launch vehicle. The Broglio Space Centre, located on a sea platform offshore the Kenya coast is the only example of a spacecraft launch centre built on a floating sea platform.

Italian companies have developed products that are of fundamental importance in contemporary society, such as the Olivetti-developed transistorized mainframe computer systems (Olivetti Elea) and, in 1964, one of the world's first commercial desktop electronic programmable calculators, the Programma 101, invented by Pier Giorgio Perotto.^[57][58][59]

Today, Italy is admired throughout the world for its design, particularly in the areas of fashion and manufactured goods. Italian fashions by Gucci, Benetton, Armani, Valentino, Prada, Dolce & Gabbana, Ferragamo and Versace are known worldwide. In automobile design, the brand names Ferrari, Lamborghini and Maserati are known and admired throughout the world.^[60] In Britain in the 1960s the emerging mod subculture championed Italian and French design, with mods adopting the Vespa GS and the Lambretta LI 150 motor scooters as their preferred means of transport as well as wearing Italian-designed clothes and shoes, and had a lasting effect - Britain remains Vespa's largest market outside of Italy.^[61][62] Italian design and manufacturing in furniture, architecture and interior design is appreciated worldwide. Architects like Renzo Piano have designed important modern buildings such as Centre Pompidou in Paris and Kansai International Airport in Osaka. Architect and designer Giò Ponti was a pioneer in industrial design and inspired many other Italian designers who have established the Italian image of design excellence in the world. Designers such as Ettore Sottsass, and his Memphis Group of designers, are famous for creating postmodern furniture, fabrics, ceramics, glass and metal objects; and lighting manufacturer Artemide is famous for lamps which transcend their common use as objects, and are nowadays considered cult manufacturing artworks, collected in Museums of Modern Art.

Italy ranks among the world's most popular tourist destinations, with about 45 million tourists visiting the country every year. Italy has fifty-eight UNESCO World Heritage Sites, more than any other country. It is also home to a large number of religious sites that draw people from all parts of the world. According to UNESCO, the cultural and educational agency for the United Nations, over 60 per cent of the entire world's art treasures are found in Italy,^[65] which draws tourists, scholars, artists and art historians from everywhere in the world. Many are drawn to Rome, still known as the "Eternal City", for its history, culture and the fact that Vatican City, the centre of worldwide Catholicism, is located there. Other places in Italy that attract many tourists are Venice, Florence, and sites associated with Padre Pio and Francis of Assisi.

The descendants of Italian immigrants to the countries of North and South America, in many cases, still retain an appreciation of their Italian roots, culture and traditions. Italophilia is actively fostered by organizations such as the Order Sons of Italy in America, the National Italian American Foundation, the Dante Alighieri Society and the Italic Institute of America.^[66]

Giorgio Silvestri (director of the "Assemblea legislativa della Liguria") has conjectured that there are nearly 250 million Italophiles in the world.^[67]

Italian cuisine is a Mediterranean cuisine^[68] consisting of the ingredients, recipes and cooking techniques developed in Italy since Roman times, and later spread around the world together with waves of Italian diaspora.^[69][70][71] Italian cuisine includes deeply rooted traditions common to the whole country, as well as all the regional gastronomies, different from each other, especially between the north, the centre and the south of Italy, which are in continuous exchange.^[72][73][74] Many dishes that were once regional have proliferated with variations throughout the country.^[75][76] The cuisine has influenced several other cuisines around the world, chiefly that of the United States in the form of Italian-American cuisine.^[77]

One of the main characteristics of Italian cuisine is its simplicity, with many dishes made up of few ingredients, and therefore Italian cooks often rely on the quality of the ingredients, rather than the complexity of preparation.^[78][79] The most popular dishes and recipes, over the centuries, have often been created by ordinary people more so than by chefs, which is why many Italian recipes are suitable for home and daily cooking, respecting regional specificities, privileging only raw materials and ingredients from the region of origin of the dish and preserving its seasonality.^[80][81][82]

Italian cuisine is one of the most popular and copied around the world.^[83] The lack or total unavailability of some of its most characteristic ingredients outside of Italy, also and above all to falsifications (or food fraud), leads to the complete denaturalization of Italian ingredients.^[84] This phenomenon, widespread in all continents, is better known as Italian Sounding, consisting in the use of words as well as images, colour combinations (the Italian tricolour), geographical references, brands evocative of Italy to promote and market agri-food products which in reality have nothing to do with Italian cuisine.^[85]

• Italians

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• Greenblatt, Stephan, The Swerve: How the World Became Modern, W.W. Norton & Company, Inc., New York, 2011.

• Italophile^{[permanent dead link‍]} Italophile.com is a community for italophiles