List of drawings by Rembrandt

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The following is a list of drawings by Rembrandt that are generally accepted as autograph.

Title	Year	Technique	Dimensions	Gallery	Commentary
Old Man Reading a Book	c. 1628	?	?	Kupferstichkabinett Berlin	The drawing is related to the painting W27
Study of the legs of a seated woman	c. 1628	Chalk	22.6 x 17.6 cm	Rijksmuseum Amsterdam	The drawing is related to the painting W37
The Raising of the Cross	1628-1629	Black chalk, heightened with white, framing lines in pencil and with the pen and brown ink	19.3 x 14.8 cm	Museum Boijmans Van Beuningen, Rotterdam	The drawing is related to the painting W106
Two Sitting Figures	c. 1628-1629	Black chalk	19.3 x 14.8 cm	Museum Boijmans Van Beuningen, Rotterdam	The drawing is related to the painting W23
Three Scribes	c. 1628-1629	Pen, brush	22.6 x 17.6 cm	Rijksmuseum Amsterdam	The drawing is related to the painting W23
Old Man with Outspread Arms	c. 1628-1629	?	?	Kupferstichkabinett, Dresden	The drawing is related to the etching B095
Study for Judas Returning the Thirty Pieces of Silver	c. 1628-1629	?	?	Private collection	The drawing is related to the painting W23
Standing Beggar in Lost Profile	c. 1628-1629	Pen	29.4 x 17 cm	Rijksmuseum Amsterdam	The drawing is related to the etching B162
Self-portrait with Open Mouth	c. 1628-1629	Pen and brown ink with grey wash; ruled framing lines in the same brown ink	12.7 x 9.5 cm	British Museum, London	The drawing is related to the etching B013
Self-portrait	c. 1629	Pen	12.7 x 9.4 cm	Rijksmuseum Amsterdam	The drawing is related to the etching B338
St. Paul in Meditation	c. 1629	?	?	Musée du Louvre, Paris	Indented for transfer to the etching B149
Diana at the Bath	c. 1629	Black chalk with some light brown wash	18.1 x 16.4 cm	British Museum, London	Indented for transfer to the etching B201
Seated Old Man	1630	Red chalk on laid paper	15.7 x 14.7 cm	National Gallery of Art, Washington	Inscribed R 1630
The Entombment of Christ	1630	Red chalk, corrected with white	28.2 x 20.4 cm	British Museum, London	Inscribed 1630
Kneeling Man	c. 1630	Red and black chalk	20.6 x 16.1 cm	Musée du Louvre, Paris	Related to lost painting reproduced in a print dated 1631 by Jan van Vliet
Seated Old Man	c. 1630	Red and black chalk	14.5 x 14.3 cm	Nationalmuseum, Stockholm	The drawing is related to the etching B325
Bearded Old Man Seated in an Armchair	1631	Red chalk on paper	25 x 17 cm	Private collection, New York	Signed with the monogram RHL and dated 1631
Old Man Seated in an Armchair	1631	Red chalk, frame line: pencil	22.7 x 14.7 cm	Teylers Museum, Haarlem	Inscribed RHL 1631
Old Man with Clasped Hands, Seated in an Armchair	c. 1631	?	?	Kupferstichkabinett Berlin	Indented for transfer to the etching B291
Bust of a Bearded Old Man	c. 1631	Red chalk, slightly touched with white chalk	11.4 x 9.1 cm	Musée du Louvre, Paris	The drawing is related to the etching B315
Violin Player and Woman	c. 1631	?	?	Kupferstichkabinett Berlin	The drawing is related to the etching B138
Lying Naked Woman	c. 1632	Black and white chalk on paper	19.5 x 23.4 cm	Nationalmuseum, Stockholm	The drawing is related to the painting W130
Old Man Leaning on a Stick	1632–1635	Pen and brown ink	13.5 x 7.8 cm	Metropolitan Museum of Art, New York	The drawing is related to the etching B133
Study for Drunk Lot	1633	Black chalk on paper	25.1 x 18.9 cm	Städel, Frankfurt am Main	Inscribed Rembrandt f. / 1633
Portrait of Saskia as a Bride	1633	Silver pen on white-grounded parchment	18.5 x 10.6 cm	Kupferstichkabinett Berlin	Inscribed dit is near mijn huisvrou geconterfeyt / do sy 21 jaer oud was den derden / dach als wij getroudt waeren / den 8 Junijus / 1633 (This was portrayed after my wife when she was 21 years old, the third day after we were married. June 8, 1633)
Woman Seated in an Armchair	c. 1633	?	?	Kunsthalle Hamburg	Considered to be a preparatory drawing for the painting W88b
Man Kneeling	c. 1633	?	?	Städel, Frankfurt am Main	The drawing is related to the etching B111
Entrance of a Cottage	c. 1633	?	?	Kunsthalle Hamburg	The drawing is related to the etching B090
Self-portrait	c. 1633	?	?	Musée des beaux-arts de Marseille	The drawing is related to the etching B017
Landscape with Two Cottages	c. 1633	Silverpoint on prepared parchment	8.2 x 13.3 cm	Museum Boijmans Van Beuningen, Rotterdam	The drawing is related to the painting W206
Study for the Painting of St. John the Baptist Preaching	c. 1633-1634	pen, brown ink and brown wash with white heightenings	14.5 × 20.4 cm	Musée du Louvre, Paris	The drawing is related to the painting W110
The Preaching of St. John the Baptist	c. 1633-1634	?	?	Private collection	The drawing is related to the painting W110
Three Studies of a Bowman	c. 1633-1634	?	?	Nationalmuseum, Stockholm	Inscribed on the reverse ...lderij 2 - 0 - 0 / 3 - 8 - 0 ... / 5 - 0 - 0. The drawing is related to the painting W110
Groups of Listeners	c. 1633-1634	?	?	Kupferstichkabinett Berlin	The drawing is related to the painting W110
Studies for Groups and Figures	c. 1633-1634	?	?	Kupferstichkabinett Berlin	The drawing is related to the painting W110
Two Studies of a Woman Seated on the Ground	c. 1633-1634	?	?	Musée du Louvre, Paris	The drawing is related to the painting W110
Bearded Old Man with a Fur Cap	c. 1633-1634	?	?	Musée du Louvre, Paris	The drawing is related to the painting W110
Two Men in Discussion, a Third Listening to Them	c. 1633-1634	?	?	Chatsworth House	The drawing is related to the painting W110
Sketch of a Bearded Old Man and Three Studies of Headgear	c. 1633-1634	?	?	Chatsworth House	The drawing is related to the painting W110
Portrait of a Man in an Armchair, Seen Through a Frame	1634	Black and red chalk, pen and wash in bistre, on vellum	37.3 x 27.2 cm	Private collection, New York	Inscribed Rembrandt f. 1634
Bearded Old Man	1634	?	?	Royal library, the Hague	Inscribed on pasted strip: Een vroom gemoet acht eer voor goet / Rembrandt / Amsterdam. 1634
Jesus and his Disciples	1634	Brown pen, gray brush, brown brush, black chalk, red chalk, green chalk, black pen	35.7 x 47.8 cm	Teylers Museum, Haarlem	Inscribed Rembrandt f. 1634
Bearded Old Man in a High Fur Cap	c. 1634-1635	Pen and brown ink on	10.5 x 9.6 cm	Morgan Library, New York	The drawing is related to the painting W110
Two Studies of John the Baptist	c. 1634-1635	red chalk on paper	18.2 x 17.4 cm	Courtauld Gallery, London	The drawing is related to the painting W110
The Last Supper, after Leonardo da Vinci	1634–1635	Red chalk	36.2 x 47.5 cm	Metropolitan Museum of Art, New York	Inscribed Rembrandt f.
Two Butchers at Work	1635	Pen and bistre	14.9 x 20 cm	Städel, Frankfurt am Main	Inscribed t vel daer aen ende voorts de rest bysleepende
The Angel Preventing Abraham from Sacrificing his Son, Isaac	1635	Red chalk over black chalk, with grey wash, on paper prepared with light brown wash	19.5 x 14.7 cm	British Museum, London	Regarded as a preparatory drawing for the painting W136
The Last Supper, after Leonardo da Vinci	c. 1635	Red chalk, heightened with white, on paper	12.5 x 21 cm	British Museum, London	Inscribed R..b...dt
The Last Supper, after Leonardo da Vinci	1635	Pen and brown ink, wash, traces of white	12.8 x 38.5 cm	Kupferstichkabinett Berlin	Inscribed Rembrandt f. 1635
The Baptism of the Eunuch	c. 1635	?	?	Staatliche Graphische Sammlung München	Related to a lost painting by Rembrandt that was reproduced in a print by his associate Jan van Vliet in 1631
The Lamentation over the Dead Christ	c. 1635	?	?	Kupferstichkabinett Berlin	The drawing is related to the painting W113
Soldiers and Girls Carousing	c. 1635	?	?	Kupferstichkabinett Berlin	The drawing is related to the painting W135
The Prodigal Son in the Tavern	c. 1635	?	?	Städel, Frankfurt am Main	The drawing is related to the painting W135
The Naughty Child	c. 1635	Pen and brown ink on paper, brown wash	20,7 x 14,2 cm	Kupferstichkabinett Berlin	The drawing is related to the painting W137
The Abduction of Ganymede	c. 1635	Pen and brush in brown	18,5 x 16,1 cm	Kupferstichkabinett, Dresden	Regarded as a preparatory drawing for the painting W137
Seated Old Woman, Full Length	c. 1635	?	?	Ossolineum, Wrocław	The drawing is related to the painting W173
Man in a Tall Fur Hat	c. 1635	?	?	Städel, Frankfurt am Main	The drawing is related to the etching B097
The Pancake Woman	c. 1635	Pen	10.8 x 14.4 cm	Rijksmuseum Amsterdam	The drawing is related to the etching B124
Seated Woman with a Rolled-up Letter	c. 1635	Pen and brown ink, washes in brown	24 x 19 cm	Nationalmuseum, Stockholm	The drawing is related to the etching B340
Four Studies of Saskia	c. 1635-1636	Pen and brown ink, locally gray wash, corrected with white bodycolour	20 x 15 cm	Museum Boijmans Van Beuningen, Rotterdam	The drawing is related to the etchings B365, B367, B368
Self-portrait	c. 1636	?	?	Kupferstichkabinett Berlin	The drawing is related to the etching B019
Susannah and the Elders	c. 1636	Sanguine on paper	23.5 x 26.4 cm	Kupferstichkabinett Berlin	Inscribed on the reverse verkoft syn vaendrager synd – 15 - / een floora verhandelt – 6 -/ (f)ardynandus van sijn werck verhandelt / aen ander werck van sijn voornemen / den Abraham een floorae / Leenderts floorae is verhandelt tegen 5 g
Old Man in a Turban, Drawn Twice	c. 1636	?	?	Private collection	The drawing is related to the painting W213
Head of an Oriental in a Turban	c. 1636	?	?	Private collection	The drawing is related to the painting W213
Old Man in a Turban	c. 1636	Pen and iron-gall ink on paper tinted with a pale yellow wash	17.3 x 13.5 cm	National Gallery of Victoria, Melbourne	The drawing is related to the painting W213
Head of an Oriental in a Turban	c. 1636	?	?	Musée du Louvre, Paris	The drawing is related to the painting W213
Studies of a Woman with Two Children	c. 1636	?	?	Peck Collection	Inscribed een kindekin met een oudt jack op syn hoofdken
Jacob Being Shown Joseph's Bloody Cloak	c. 1635-1637	?	?	Kupferstichkabinett Berlin	The drawing is related to the etching B038
Joseph Distributing Corn in Egypt, after Pieter Lastman	1637	Black chalk	31,3 x 46,2 cm	Albertina, Vienna	Inscribed Rembrandt ft.
An Elephant	1637	Black chalk on paper	23,3 x 35,4 cm	Albertina, Vienna	Inscribed Rembrandt ft. 1637
Self-Portrait	c. 1637	Red chalk	12.9 x 11.9 cm	National Gallery of Art, Washington	The drawing is related to the etching B002
Study of Russian Costume	c. 1637	?	?	Morgan Library, New York	Inscribed in ongenaeden synden en werden niet geschooren
Studies of Grieving Marys	c. 1637	Pen in brown and red chalk	20.1 x 14.3 cm	Rijksmuseum Amsterdam	Inscribed een dijvoot thresoor dat in een fijn harte bewaert wert tot troost harer beleevende siel
Paul and Barnabas at Lystra	c. 1637	Sanguine	29.8 x 44.2 cm	Musée Bonnat, Bayonne	Inscribed een vrouw wijst op een jonck kind
The Lamentation at the Foot of the Cross	c. 1637	Pen and brown ink and brown wash, with red and perhaps some black chalk	21.6 x 25.4 cm	British Museum, London	The drawing is related to painting W113
Joseph Telling his Dreams	c. 1637	Red chalk	18 x 12.5 cm	Museum Boijmans Van Beuningen, Rotterdam	The drawing is related to the etching B037
Studies of a Woman Reading and an Oriental	c. 1637	?	?	Private collection	The drawing is related to the etching B037
Man Kneeling in Prayer; a Woman's Head	с. 1637	Red chalk	18.3 x 15.8 cm	Albertina, Vienna	The drawing is related to the etchings B098 and B367
Solomon's Idolatry	c. 1636-1638	Red chalk	48.5 x 37.6 cm	Musée du Louvre, Paris	The drawing is related to the painting W47
Eve Giving the Apple to Adam	c. 1638	?	?	Private collection	The drawing is related to the etching B028
Eve Giving the Apple to Adam	c. 1638	?	?	Private collection	The drawing is related to the etching B028
Saskia Sitting up in Bed	c. 1638	Pen and brush in brown, corrected with opaque white, tinted paper	15 x 13.8 cm	Kupferstichkabinett, Dresden	The drawing is related to the etching B369
Saskia Asleep in Bed	c. 1638	Pen and brown ink	?	Ashmolean Museum, Oxford	The drawing is related to the etching B369
Sick Woman Lying in Bed, Probably Saskia	c. 1638	?	?	Petit Palais, Paris	The drawing is related to the etching B369
Saskia in Bed	c. 1635-1640	Pen and brown ink	8.4 x 10.4 cm	British Museum, London	The drawing is related to the etching B369
Portrait of Titia van Uylenburch	1639	Pen and brown ink, washes on brown paper	17.4 x 14.6 cm	Nationalmuseum, Stockholm	Inscribed Tijtsija van Ulenburch / 1639
Portrait of Baldassare Castiglione, after Raphael	1639	Pen and brown ink, white body colour	16.3 x 20.7 cm	Albertina, Vienna	Inscribed de Conten batasar de kastijlijone van raefael / verkoft voor 3500 gulden / het geheel cargesoen tot Luke van Nuffelen heeft gegolden f59456:- Ao 1639
Portrait of a Young Woman Holding Gloves	c. 1639	Pen and brown iron-gall ink, with brown wash, heightened with white	16 x 12.9 cm	British Museum, London	Regarded as a preparatory drawing for the painting W184b
Woman in a Rich Dress and a Fur Hat, Seen from Behind	c. 1639	?	?	Museum der bildenden Künste, Leipzig	The drawing is related to the etching B109
The Artist Drawing from the Model	c. 1639	Pen and brown iron-gall ink with brown wash and touched with white, on paper washed brown	18.8 x 16.4 cm	British Museum, London	The drawing is related to the etching B192
Study for a Presentation in the Temple	c. 1639	Pen and dark bistre	18 x 19 cm	Amsterdam Museum	The drawing is related to the etching B049
Portrait of Cornelis Claesz Anslo	1640	Red chalk, heightened with white, on paper	15.7 x 14 cm	British Museum, London	Inscribed Rembrandt f. 1640. Indented for transfer to the etching B271
Portrait of Cornelis Claesz Anslo	1640	Red chalk, pen and wash in bistre, Indian ink, whity body colour	24.6 x 20.1 cm	Musée du Louvre, Paris	Inscribed Rembrandt f. 1640
Nude Man Kneeling	c. 1640	?	?	Musée Bonnat, Bayonne	The drawing is related to the etching B092
Sleeping Watchdog	c. 1640	Pen and brown ink with brush and brown wash, with touches of opaque white watercolor, on cream laid paper	14.3 x 16.8 cm	Museum of Fine Arts, Boston	The drawing is related to the etching B158
Three Men Being Beheaded	c. 1640	Pen and brown ink, corrected with white; framing lines in pen and brown ink	15.3 x 22.6 cm	British Museum, London	The drawing is related to the etching B092
Sketch of an Executioner	c. 1640	Pen	15.6 x 20.1 cm	Rijksmuseum Amsterdam	The drawing is related to the etching B092
Bust of the Emperor Galba	1640-1641	Pen and bistre	14.2 x 9 cm	Kupferstichkabinett Berlin	Inscribed .alba
The Entombment of Christ	c. 1640-1641	Pen	15.6 x 21 cm	Rijksmuseum Amsterdam	The drawing is related to the painting W162
The Passeerder Windmill in Amsterdam	c. 1640-1641	?	?	Formerly Bremen, Kunsthalle	The drawing is related to the etching B233
Two Men in Discussion, One in Oriental Dress	1641	Quill and reed pen in brown ink with corrections in white bodycolour (darkened) on laid paper	22.9 x 18.5 cm	Courtauld Gallery, London	Inscribed Rembrandt f. 1641
Christ and the Woman Taken in Adultery	c. 1639-1641	?	?	Musée du Louvre, Paris	The drawing is related to the painting W47
Seated Old Woman, Half-length	c. 1641	?	?	Courtauld Gallery, London	The drawing is related to the painting W173
A Man Helping a Rider to Mount a Horse	c. 1641	Pen	14.2 x 14.9 cm	Rijksmuseum Amsterdam	The drawing is related to the painting W153
Windmill on the Bastion Blauwhoofd in Amsterdam	c. 1641	Oiled charcoal on brown tinted paper, framing lines with the pen in brown ink, gone over in pencil on the right side	16.6 x 27.5 cm	Museum Boijmans Van Beuningen, Rotterdam	The drawing is related to the etching B233
Studies of an Officer, an Oriental and a Man in High Cap	c. 1641-1642	Pen	21.2 x 13.4 cm	Musée du Louvre, Paris	The drawing is related to the painting W190
Two Jews in Discussion, Walking	1641-1642	Black chalk, pen and brown	9.7 x 8.4 cm	Teylers Museum, Haarlem	Inscribed .../ ...samson/ sijnd troni/ een(?) die een pijl wtreckt over/ ... schouder
Figure Studies	c. 1642	?	?	Rembrandthuis, Amsterdam	The drawing is related to the etching W120
Two Women Walking (Ruth and Naomi?)	c. 1642	?	?	Royal Museums of Fine Arts of Belgium, Brussels	The drawing is related to the etching W120
Cottage Near the Edge of a Wood	1644	Pen and inks ranging from light to dark brown, brown washes, corrected in white (oxidized, partially abraded), and touches of red chalk (in added structures to the left of the main cottage)	29.9 x 45.5 cm	Metropolitan Museum of Art, New York	Inscribed Rembrandt f. 1644
Satire on Art Criticism	1644	Pen and brown ink corrected with white	15.5 x 20.1 cm	Metropolitan Museum of Art, New York	Inscribed den tijd 16[4?]4 / dees ... van d kunst / is .ooting gunst ... Houdlos... / i ind. dat...
Jacob's Dream	c. 1644	?	?	École des Beaux-Arts, Paris	Inscribed in ongenaeden synden en werden niet geschooren
Posthumous Portrait of the Preacher Jan Cornelisz. Sylvius	1644-1645	?	?	National Gallery of Art, Washington	Inscribed den een on ... sijden ... ofte ... /near Chrisstum gaenden
Young Woman Looking out of a Window	c. 1645	?	?	Courtauld Gallery, London	The drawing is related to the painting W200
Sheet of Studies, with a Woman Teaching a Child to Walk	c. 1646	Pen and brown ink	16 x 16.5 cm	Nationalmuseum, Stockholm	The drawing is related to the etching B194
Jan Cornelisz Sylvius	c. 1646	Pen and brown ink	14 x 11.6 cm	Nationalmuseum, Stockholm	The drawing is related to the etching B280
Jan Cornelisz Sylvius	c. 1646	Pen and brown ink, with white heightening	28.5 x 19.5 cm	British Museum, London	The drawing is related to the etching B280
The Star of the Kings	1645-1647	Pen and brown ink with (on the recto only) brown wash mixed with some white bodycolour; framing line in pen and brown ink (right side only).	20.4 x 32.3 cm.	British Museum, London	Inscribed Rembrandt f.
Jan Six	1647	?	?	Six Collection, Amsterdam	Indented for transfer to the etching B285
Jan Six in Hat	1647	?	?	Amsterdam Museum	The drawing is related to the etching B285
Jan Six with a Dog	1647	Pen and wash? white body colour	22 x 17.5 cm	Six Collection, Amsterdam	The drawing is related to the etching B285
Study for a Susanna	c. 1647	Black chalk and brush on paper	20.3 x 16.4 cm	Kupferstichkabinett Berlin	The drawing is related to the painting W213
Two Sick Women	c. 1645-1649	Pen	10.1 x 12.2 cm	Rijksmuseum Amsterdam	The drawing is related to the etching B074
Head of a Sick Woman	c. 1645-1649	?	?	Rijksmuseum Amsterdam	The drawing is related to the etching B074
Man Standing, a Cap in his Outstretched Right Hand	c. 1645-1649	?	?	Courtauld Gallery, London	The drawing is related to the etching B074
Blind Old Man Guided by a Woman	c. 1645-1649	?	?	Musée du Louvre, Paris	The drawing is related to the etching B074
Study for the Group of the Sick	c. 1645-1649	?	?	Kupferstichkabinett Berlin	The drawing is related to the etching B074
Study of a Seated Beggar Woman, Supplicating	c. 1645-1649	?	?	Private collection	The drawing is related to the etching B074
Old Man with a Fur Cap	c. 1645-1649	?	?	Private collection	The drawing is related to the etching B074
Study for the Hundred-guilder Print	c. 1645-1649	?	?	Musée du Louvre, Paris	The drawing is related to the etching B074
The Amsteldijk at Meerhuizen, Looking Towards The Little Windmill	c. 1649-1650	?	?	Musée du Louvre, Paris	Inscribed on the reverse: Dees tekeningh vertoont de buiten amstelkant / Soo braaf getekent door heer rembrandts eygen hant / PKo (This drawing depicts the Buiten-Amstel, most able drawn by Master Rembrandt's own hand. P[hilips] Ko[ninck]).
St. Jerome Reading in an Italian Landscape	c. 1650	Reed pen and wash	25 x 20.7 cm	Kunsthalle Hamburg	The drawing is related to the etching B104
Farm Buildings Near a Canal	c. 1650	Pen and dark greyish brown ink with greyish brown wash on grey paper	11.6 x 12.2 cm	British Museum, London	The drawing is related to the etching B213
Cottage on the Diemerdijk, Looking East	c. 1650	?	?	Ashmolean Museum, Oxford	The drawing is related to the etching B213
Landscape with the House with the Little Tower	c. 1650	Pen and brown ink, brush and brown wash	9.7 x 21.4 cm	J. Paul Getty Museum, Los Angeles	The drawing is related to the etching B235
View of Haarlem with the Saxenburg Estate in the Foreground	c. 1650-1651	Pen and brown ink, brown wash, heightened with white	8.9 x 15.2 cm	Museum Boijmans Van Beuningen, Rotterdam	The drawing is related to the etching B234
Landscape with a Farmhouse and a Hay Barn	c. 1650-1652	Pen, brown ink and brownish wash on light brown paper	8.8 x 17.3 cm	National Gallery of Denmark, Copenhagen	The drawing is related to the etching B224
Farmstead with Adjoining House	c. 1650-1652	?	?	Private collection	The drawing is related to the etching B224
Farmhouse beneath Trees, with a Footbridge	c. 1650-1652	Reed pen and brown ink, grey wash, some white highlighting on brownish paper	15.7 x 18.1 cm	Fitzwilliam Museum, Cambridge	The drawing is related to the etching B222
Susanna and the Elders	c. 1650-1652	Brush	20.1 x 18.8 cm	Rijksmuseum Amsterdam	The drawing is related to the painting W213
Homer Reciting Verses	1652	?	?	Six Collection, Amsterdam	Inscribed Rembrandt aen Joannes Sicx. 1652
Minerva in her Study	1652	?	?	Six Collection, Amsterdam	Inscribed Rembrandt f. 1652
The Ruins of the Old City Hall in Amsterdam (After the Fire)	1652	?	?	Rembrandt House Museum, Amsterdam	Inscribed vand waech afte sien stats huis van Amsteldam doent afgebrandt was den 9 Julij 1652. Rembrandt
View at the Inn Huis te Vraag	с. 1652	?	?	Present location unknown	The drawing is related to the etching B221
Bust of Andrea Doria	1653	?	?	Kupferstichkabinett Berlin	Inscribed ANDREAS D. AVREA Hartog van S[tad] genuwa
The Calumny of Apelles, after Mantegna	c. 1652-1654	Pen and brown ink, with brown wash, on grey-brown prepared paper	26.3 x 43.2 cm	British Museum, London	Inscribed CaLomnia d'apella / Inocenv[v=s]ia / Susp[ic]ione / I[g]nora[n]cia / acnoni / Ins[s=v]idia / Penitencia / Veritas
River with Trees	1654-1655	?	?	Musée du Louvre, Paris	Inscribed on reverse [om te] etsen witten tarpentyn oly / [daer] toe de helft tarpentyn / tesaemen in een glaesen flesken gedaen en / flesken in suver[?] waeter een ha[lf] [uu]r laeten kooken
Jupiter with Philemon and Baucis	1655	?	?	Kupferstichkabinett Berlin	Inscribed d'ouden filemon onvan[g]t mes ind[e] mon en dHaend op de vloer omgeswicht
The Anatomy Lecture of Dr. Jan Deyman	1656	?	?	Amsterdam Museum	Study for a frame for the painting W246
Four Orientals Seated under a Tree	c. 1656	Pen and brown ink with brown and grey wash, touched with white and with some scraping-out, on oriental paper prepared with pale brown wash	19.4 x 12.4 cm	British Museum, London	The drawing is related to the etching B029
The Emperor Akbar and his Son Selim in Apotheosis	c. 1656	Pen and brown ink, brown wash, corrected with white bodycolour	21.2 x 17.4 cm	Museum Boijmans Van Beuningen, Rotterdam	The drawing is related to the etching B029
Christ Comforted by the Angel	c. 1657	?	?	Kunsthalle Hamburg	The drawing is related to the etching B075
The Agony in the Garden	c. 1657	Brown ink; brown wash; paper	19.6 x 19 cm	Fitzwilliam Museum, Cambridge	The drawing is related to the etching B075
Lieven Willemsz. van Coppenol	c. 1658	?	?	Museum of Fine Arts (Budapest)	The drawing is related to the etching B282
Christ and the Woman Taken in Adultery	1659-1660	?	?	Staatliche Graphische Sammlung München	Inscribed on an attached strip of paper soo jachtich om Christus in zijn antwoordt te verschalken konden schrifterlick antw[oord] niet afwachten
The Blind Belisarius Receiving Alms	c. 1660	?	?	Kupferstichkabinett Berlin	Inscribed erbarmt u over den armen bellisaro die nochtans wel was in groot aensien door syn manhaftijge daden en door de jalousij is verblindt
Walking Man in a High Cap	c. 1660	Pen	14.7 x 6.2 cm	Rijksmuseum Amsterdam	The drawing is related to the painting W320
Self-portrait	с. 1660	Pen and black-brown ink, brush in gray, white blush on sepia paper	8.2 x 7.1 cm	Albertina, Vienna	The drawing is related to the painting W281
Simeon's Song of Praise	1661	?	?	Royal library, the Hague	Inscribed Rembrandt f. 1661
The Conspiracy of Claudius Civilis	1661	?	?	Staatliche Graphische Sammlung München	The drawing is related to the painting W298
A Child Being Taught to Walk	c. 1660-1662	Pen and brown ink on brownish-cream paper	9.3 x 15.4 cm	British Museum, London	Inscribed on reverse 'dit voor af te vragen / [vr]agen aen ons beijde oft wijt an de Heeren / [g?]oede mannen willen laten ver blijben / dan tijssen te vragen of Hij niet een / beijden d schilderien gelieft opgemaeckt te hebben / geen van beijden begerende.'
Three Syndics of the Clothmakers' Guild	c. 1661-1662	?	?	Kupferstichkabinett Berlin	The drawing is related to the painting W299
Study of a Syndic, Jacob van Loon	c. 1661-1662	Pen and brush in brown, corrections with white	19.5 x 16 cm	Rijksmuseum Amsterdam	The drawing is related to the painting W299
Study for One of the Syndics, Volckert Jansz.	c. 1661-1662	Reed pen and brush in brown ink, brown wash, corrected and heightened with white, on cashbook paper	22.5 x 17.5 cm	Museum Boijmans Van Beuningen, Rotterdam	The drawing is related to the painting W299
Isaac and Rebecca	c. 1662	?	?	Private collection	The drawing is related to the painting W312
A coach	c. 1660-1663	Pen and brown ink with greyish brown wash	19.3 x 25.4 cm	British Museum, London	The drawing is related to the painting W303
Homer Dictating to a Scribe	c. 1663	Pen, brush and brown ink, heightened with white	14.8 x 17 cm	Nationalmuseum, Stockholm	The drawing is related to the painting W301
Elsje Christiaens Hanging on a Gibbet (front view)	1664	Pen and brown ink, brush and brown wash	17.1 x 9.1 cm	Metropolitan Museum of Art, New York
Elsje Christiaens Hanging on a Gibbet (side view)	1664	Pen and brown ink, brush and grayish brown wash on heavy brownish paper	15.8 x 8.0 cm	Metropolitan Museum of Art, New York

Sources

Wikimedia Commons has media related to Drawings by Rembrandt.

Rembrandt Drawings: 116 Masterpieces in Original Color. Dover Publications, Inc. Mineola, New York. 2007. ISBN 978-0-4864-6149-6.
http://www.garyschwartzarthistorian.nl/schwartzlist/?id=148

v t e Rembrandt
Lists of drawings, etchings, paintings, prints, self-portraits
Paintings	The Senses (1624–25) The Stoning of Saint Stephen (1625) Suffer little children to come unto me (1620s) History Painting (1626) Balaam and the Ass (1626) The Baptism of the Eunuch (1626) Bust of a Man Wearing a Gorget and Plumed Beret (1626) Tobit and Anna with the Kid (c. 1626) The Flight into Egypt (1627) The Parable of the Rich Fool (1627) The Artist in his Studio (1628) Samson and Delilah (1629–30) Jeremiah Lamenting the Destruction of Jerusalem (1630) Anna and the Blind Tobit (c. 1630) The Raising of Lazarus (c. 1630–1632) Andromeda Chained to the Rocks (1631) The Anatomy Lesson of Dr. Nicolaes Tulp (1631) Christ with a Staff (1631) Christ on the Cross (1631) Old Man with a Gold Chain (c. 1631) Philosopher in Meditation (1632) The Abduction of Europa (1632) Adoration of the Magi (1632–1633) The Shipbuilder and his Wife (1633) The Storm on the Sea of Galilee (1633) ² A Lady and Gentleman in Black (1633) Raising of the Cross (1633) Descent from the Cross (1633) Diana Bathing with her Nymphs with Actaeon and Callisto (1634) Flora (1634) Judith at the Banquet of Holofernes (1634) Descent from the Cross (1634) Belshazzar's Feast (1635) Minerva (1635) The Prodigal Son in the Brothel (c. 1635) Raising of the Cross (study) (c. 1635) The Rape of Ganymede (1635) The Entombment of Christ (1635) Samson Threatening His Father-In-Law (1635) The Standard Bearer (1636) Danaë (1636) The Blinding of Samson (1636) Landscape with Arched Bridge (c. 1636-1637) The Preacher Eleazar Swalmius (1637) The Archangel Raphael Leaving Tobias' Family (1637) The Stone Bridge (1637) The Wedding Feast of Samson (1638) Landscape with the Good Samaritan (1638) Still Life with Peacocks (c. 1639) The Girl in a Picture Frame (1641) The Scholar at the Lectern (1641) The Night Watch (1642) Concord of the State (1642) David and Jonathan (1642) Boaz and Ruth (1643) The Woman Taken in Adultery (1644) Joseph's Dream (1645) The Holy Family with Angels (1645) The Mill (1645–1648) Abraham Serving the Three Angels (1646) Susanna and the Elders (1647) Head of Christ (1648) The Kitchen Maid (1651) Descent from the Cross (1650–1652) Saul and David (c. 1652) ¹ Aristotle with a Bust of Homer (1653) A Woman Bathing in a Stream (1654) Bathsheba at Her Bath (1654) The Polish Rider (1655) ¹ Slaughtered Ox (1655) Pallas Athena (c. 1655) The Anatomy Lesson of Dr. Deijman (1656) Jacob Blessing the Sons of Joseph (1656) Courtesan at her Mirror (1657) Saint Bartholomew (1657) Moses Breaking the Tablets of the Law (1659) Ahasuerus and Haman at the Feast of Esther (1660) The Denial of Saint Peter (1660) Titus as a Monk (1660) The Conspiracy of Claudius Civilis (1661) Saint Matthew and the Angel (1661) Syndics of the Drapers' Guild (1662) Homer Dictating his Verses (1663) The Jewish Bride (1664) Lucretia (1664) ¹ David and Uriah (c. 1665) Young Woman with a Lapdog (1665) Lucretia (1666) The Return of the Prodigal Son (1662–1669) Simeon in the Temple (c. 1669) Landscape with a Castle
Portraits	Portrait of Nicolaes Ruts (1631) Portrait of a Man (1632) Portrait of a Woman (1632) Portrait of Jacob de Gheyn III (1632) Portrait of a 62-year-old Woman (1632) Portrait of a Man Rising from His Chair (1633) Portrait of a Young Woman with a Fan (1633) Oval Portrait of a Woman (1633) Portrait of a Woman Wearing a Gold Chain (1634) Pendant portraits of Maerten Soolmans and Oopjen Coppit (1634) Portrait of Petronella Buys (1635) A Polish Nobleman (1637) Portrait of Maria Trip (1639) Portrait of Jan Six (1654) Portrait of Floris Soop (1654) Portrait of Catharina Hooghsaet (1657) Portrait of a Man (1657) Portrait of a Man with Arms Akimbo (1658) Portrait of Dirck van Os (c. 1662) Portrait of Gerard de Lairesse (1665–1667)
Self-portraits	Self-Portrait with Dishevelled Hair (1628) Rembrandt Laughing (1628) Self-Portrait (1629) Self-Portrait in a Gorget (c.1629) Portrait of a Young Man with a Golden Chain (1635) (disputed) Self-Portrait Wearing a White Feathered Bonnet (1635) Self-Portrait with an Architectural Background (c. 1639) Self-Portrait at the Age of 34 (1640) Self-Portrait (1652) Self-Portrait in a Black Beret and Gold Chain (1654) Self-Portrait (1658) Self-Portrait with Beret and Turned-Up Collar (1659) Self-Portrait (1660) Self-Portrait as the Apostle Paul (1662) Self-Portrait as Zeuxis Laughing (1662) Self-Portrait with Two Circles (1665–1669) Self-Portrait (c. 1669) Self-Portrait at the Age of 63 (1669)
Drawings and prints (including etchings)	Joseph and Potiphar's Wife (1634) Bearded Old Man (1634) River with Trees (1634) The Artist and his Model (1639) The Death of the Virgin (1639) The Mill (1641) The Three Trees (1643) The State Bed (1646) Portrait of Jan Six (1647) Hundred Guilder Print (1647–1649) Conus Marmoreus (1650) Goldweigher's Field (1651) Doctor Fautrieus (1652) Descent from the Cross by Torchlight (1652) The Three Crosses (1653) The Virgin and Child with a Cat (1654) Christ Presented to the People (1655) Mughal drawings
Collections	Rembrandt House Museum Rembrandt in Southern California
Rembrandt studies	Connoisseurs and scholars Rembrandt Research Project Rembrandt catalogues raisonnés 1908 1935 1968 1986
Related people	Pupils and followers Saskia van Uylenburgh (wife, model) Titus van Rijn (son, model) Geertje Dircx (mistress, model) Hendrickje Stoffels (mistress, model) Jacob Isaacsz. van Swanenburg (teacher) Pieter Lastman (teacher) Jan Lievens (colleague and friend) Hendrick van Uylenburgh (art dealer, patron) Jan Six (art collector, patron) Thomas Kaplan (art collector)
Works about Rembrandt	Cultural depictions of Rembrandt The Tragedy of a Great (1920 film) Rembrandt (1936 film) Rembrandt (1940 film) Rembrandt (1942 film) Rembrandt: A Self-Portrait (1954 documentary film) Rembrandt fecit 1669 (1977 film) The Anatomy Lesson (1995 novel) Rembrandt (1999 film) Stealing Rembrandt (2003 film) Nightwatching (2007 film) I Am Rembrandt's Daughter (2008 novel)
Namesakes	Rembrandt, Iowa Rembrandtplein Rembrandtpark Rembrandt (crater) Rembrandt (train) Vereniging Rembrandt (foundation)
¹ Contested ² Stolen in 1990

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