Peter Julian Alexander Collins (14 January 1951 – 28 June 2024) was an English record producer, arranger, and audio engineer.^[1][2] He produced records by Gary Moore, Bon Jovi, Billy Squier, Rush, Air Supply, Alice Cooper, Nik Kershaw, Blancmange, Suicidal Tendencies, Queensrÿche, Indigo Girls, Nanci Griffith, Jermaine Stewart, Jane Wiedlin, October Project, The Cardigans, Rosetta Stone, Josh Joplin, Tracey Ullman, Drake Bell, Ultraspank and The Brian Setzer Orchestra.

Peter Collins was born in Reading, England, on 14 January 1951, the son of Gerald and Rita Collins. His father played clarinet in a jazz band and was later an art dealer with a gallery in Dorset. Collins grew up in Sussex and attended Steyning Grammar School, from where he went to sixth-form college in Brighton.^[3]

Collins signed a recording deal with Decca as a singer-songwriter, but while recording his first album realised that he was "more interested in being in the studio and the process of making a record".^[4] He took a job as assistant producer at the Decca studios in north London, which he later said in practice meant being the tea-boy, but he "crept back after hours" to record his own radio and TV jingles.^[5] In 1976, he was signed to Magnet Records and formed a group called Madison, along with Sippy, Peter Spooner and "Page 3" girl Cherri Gilham, to perform the pop song "Let It Ring".^[6] Collins acted as producer, but the record failed to chart and the group disbanded.

In 1980 he formed a production company with Pete Waterman, who put him in charge of recording.^[7] His early credits as a producer included producing the first two albums for The Lambrettas and their chart hit "Poison Ivy". In 1982 he had his first no.1 single when he co-produced Musical Youth's "Pass the Dutchie".^[8] In 1983 he produced Nik Kershaw's debut album, Human Racing, which was a success in Europe. Nine months later, he produced Kershaw's second album, The Riddle.

Collins moved to Nashville in 1985 for the "excellent studios...and superb musicians."^[9] He produced albums for Rush, who called him "Mister Big" and credited him with giving their sound a commercial edge that broadened their appeal and improved their record sales,^[10] first working on Power Windows (1985) and then Hold Your Fire (1987).^[1] Known at the time as a pop producer, he brought a more heavily synthesised sound to Rush.^[11] Collins recalled, "I had a British pop sensibility...I was able to bring some pop elements to the music."^[12] After reluctantly declining to work with the band for their albums Presto and Roll the Bones, he later returned to collaborate with the band for Counterparts and Test for Echo, creating a return to Rush's heavier rock sound.

Collins had "an unashamedly old-fashioned" approach to recording and insisted that his acts have their material fully rehearsed and ready to record before they went into the studio. After a "Spinal Tap moment" when he suggested to a British band in Los Angeles that they run through the songs they would be recording and there was "a stunned silence", he made it a rule to hear the band's material first before agreeing to record them, "however big they might be".^[13] He preferred the "organic" method of recording live in the studio, rather than piecing tracks together. He considered night-time sessions an unnecessary indulgence and worked a nine-hour day to 8pm.^[14] In 1991, Collins produced Alice Cooper's Hey Stoopid album, which peaked at No. 47 on the Billboard 200 and was the follow-up to the Desmond Child produced Trash album. He also produced the Queensrÿche albums Operation: Mindcrime, Empire (No. 7 on the Billboard 200) and Hear in the Now Frontier.

Collins married Debi from Mississippi, who suggested their move to the U.S., and had a son, Alex. They were later divorced. In later life he became a keen salsa dancer and Argentine tango dancer after lessons with Christy Byers from Louisville, Ky and flyer of model aircraft.^[15]

Peter Collins died from pancreatic cancer at his home in Nashville, Tennessee, on 28 June 2024, at the age of 73.^[16][17][18]

• Inglis, Sam (March 2002). "Peter Collins". Sound on Sound.
• Peter Collins discography at Discogs
• Peter Collins at IMDb

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