Sarah Morris | |
---|---|
Born | 20 June 1967 |
Nationality | American,[1] British[2][3][4][5] |
Education | Brown University Cambridge University |
Known for | painting, film |
Awards | Berlin Prize Fellow (1999–2000) Joan Mitchell Foundation Award (2001) Omaggio in Histoire(s) du cinéma at the Locarno Film Festival (2012) [6] |
Sarah Morris (born 20 June 1967 in Sevenoaks, Kent, England) is an American and British artist.[2][3][4][5][a][8] She lives in New York City in the United States.[9]
Personal life and education
Morris was born in Sevenoaks, Kent, in south-east England, on 20 June 1967.[4] She attended Brown University from 1985 to 1989, Cambridge University,[10] and the Independent Study Program of the Whitney Museum of American Art in 1989–90.[4] She was a Berlin Prize fellow at the American Academy in Berlin in 1999–2000; in 2001 she received a Joan Mitchell Foundation painting award.[11] She was married to Liam Gillick.[10]
Work
Morris works in both painting and film, and considers the two to be interconnected.[12]
From about 1997 her paintings were geometric Modernist grid designs with flat planes of colour; a related series was of glass-faced skyscrapers with geometric landscape designs reflected in their façades. Among her earlier painting styles were screen-prints reminiscent of Andy Warhol, word-paintings, and paintings of shoes.[4]
Morris's films have been characterized as portraits that focus on the psychology of individuals or cities. Her films about cities, like Midtown, Chicago, Los Angeles, and Rio depict urban scenes, capturing the architecture, politics, industry and leisure which define a specific place.[13] Other films describe a place through the viewpoint of an individual, like psychologist Dr. George Sieber describing the terrorist event at the Olympic Stadium in Munich in the film 1972 or the industry politics of Hollywood from the viewpoint of screenwriter and producer in the eponymous film Robert Towne.[13][14]
Exhibitions
She has shown internationally, with solo exhibitions at Hamburger Bahnhof in Berlin (2001),[15] Palais de Tokyo in Paris (2005),[16] Fondation Beyeler in Basel (2008),[17] Museum für Moderne Kunst in Frankfurt (2009),[18] Museo d’Arte Moderna di Bologna (2009),[19] and Musée National Fernand Léger in Biot (2012).[20]
She has created site-specific works for various institutions including the Lever House,[21] Kunsthalle Bremen in Germany,[22] Kunstsammlung Nordrhein-Westfalen Museum, Düsseldorf, Germany,[23] the lobby of UBS in New York City and the Gloucester Road tube station in London.[24]
Morris's films have been featured at the following:
- Ullens Center for Contemporary Art in Beijing (Entire filmography),[25]
- Fondation Louis Vuitton in Paris (Strange Magic),[26]
- Museum of Contemporary Art in Chicago (Chicago),[27]
- Sotheby's in New York (Points on a Line),[28]
- Barbican Centre in London (Beijing, Midtown),[29]
- Guggenheim in New York (Midtown, AM/PM, Capital, Miami, Los Angeles),[30]
- Centre Pompidou (Midtown, AM/PM, Capital, Miami, Los Angeles).[31]
Public collections
- Albright-Knox Art Gallery, Buffalo[32]
- Berardo Collection, Sintra, Portugal[33]
- British Council, London[34]
- Centre d’Art Contemporain, Le Consortium, Dijon[35]
- Centre Pompidou, Paris[36]
- Cooper Hewitt Smithsonian Design Museum, New York[37]
- Dallas Museum of Art, Dallas[38]
- Fondation Louis Vuitton, Paris[39]
- F.R.A.C. Bourgogne, Dijon[40]
- F.R.A.C. Poitou-Charentes[41]
- Government Art Collection, London[42]
- Solomon R. Guggenheim Museum, New York[43]
- Kunsthalle Bremen, Bremen[44]
- Kunstmuseum Wolfsburg, Wolfsburg[45]
- Städtische Galerie im Lenbachhaus, Munich[46]
- Miami Art Museum[47]
- Musee d’Art Moderne de la Ville de Paris[48]
- Museum of Contemporary Art, Los Angeles[49]
- Museum of Modern Art, New York[5]
- Museum fur Moderne Kunst, Frankfurt[50]
- National Museum of Women in the Arts, Washington, D.C.[51]
- Sammlung DaimlerChrysler, Berlin[52]
- Stedelijk Museum, Amsterdam[53]
- Tate Modern, London[54]
- UBS Art Collection, New York[55]
- Yale Center for British Art, New Haven[56]
- Victoria and Albert Museum, London[57]
Filmography
- Midtown (1998)[58]
- AM/PM (1999)[58]
- Capital (2000)[58]
- Miami (2002)[58]
- Los Angeles (2004)[58]
- Robert Towne (2006)[58]
- 1972 (2008)[58]
- Beijing (2008)[59]
- Points on a Line (2010)[60]
- Chicago (2011)[61]
- Rio (2012)[62]
- Strange Magic (2014)[63]
- Abu Dhabi (2016)[64]
- Finite and Infinite Games (2017)[65]
- Sakura (2019)
Other activities
- Americans for the Arts, Member of the Artists Committee[66]
Origami lawsuit
In 2011 Morris was sued by a group of six origami artists, including American Robert J. Lang. They alleged that in 24 works (eventually discovered to be 33 or more) in her "Origami" series of paintings Morris had without permission or credit copied their original crease patterns, coloured them, and sold them as "found" or "traditional" designs. [67] The case was settled out of court early in 2013; under the terms of the settlement, the creators of the crease patterns are to be given credit when the works are displayed.[68][69]
Painting title | Year painted | Square painting edge sizes | Model title | Model composer |
---|---|---|---|---|
Angel | 2009 | 214 cm | Harpy | Jason Ku |
Bat | 2007 | 214 cm | Bat | Noboru Miyajima |
Black Ant | 2009 | 214 cm | Harvestman (Phalangium) | Manuel Sirgo |
Calypte Anna | 2007 | 214 cm | Ruby-throated Hummingbird, opus 389 | Robert J. Lang |
2008 | 289 cm | |||
Cat | 2007 | 53.5 cm | Cat | Noboru Miyajima |
214 cm | ||||
Chaser | 2008 | 214 cm | Dragonfly, opus 369 | Robert J. Lang |
Clerid Beetle | 2009 | 214 cm | Scorpion (Buthus) | Manuel Sirgo |
Crane | 2008 | 214 cm | Dancing Crane, opus 460 | Robert J. Lang |
Cuttlefish | 2009 | 214 cm | Sepia | Manuel Sirgo |
Dragon | 2007 | 214 cm | KNL Dragon, opus 132 | Robert J. Lang |
Falcon | 2007 | 214 cm | Cooper’s Hawk, opus 464 | Robert J. Lang |
2008 | 53.5 cm | |||
Goatfish | 2007 | 152.5 cm | Goatfish, opus 202 | Robert J. Lang |
Grasshopper | 2007 | 76.6 cm | Grasshopper, opus 83 | Robert J. Lang |
289 cm | ||||
Hercules Beetle | 2007 | 214 cm | Hercules Beetle, opus 271 | Robert J. Lang |
June Beetle | 2009 | 214 cm | Cyclommatus metallifer | Nicola Bandoni |
Kawasaki Cube | 2008 | 53.5 cm | Kawasaki Cube #1 | Toshikazu Kawasaki |
53.5 cm | ||||
214 cm | ||||
2009 | 289 cm | |||
Leaf Mantis | 2009 | 214 cm | Leaf Mantis | Manuel Sirgo |
Lion | 2007 | 214 cm | Lion | Noboru Miyajima |
Mommoth | 2007 | 53.5 cm | Mommoth | Noboru Miyajima |
214 cm | ||||
Mouse | 2007 | 122 cm | Rat, opus 159 | Robert J. Lang |
Night Hawk | 2008 | 214 cm | Stealth Fighter, opus 324 | Robert J. Lang |
Night Hunter | 2007 | 214 cm | Night Hunter, opus 469 | Robert J. Lang |
Orchis | 2008 | 214 cm | Orchid, opus 392 | Robert J. Lang |
Parrot | 2009 | 214 cm | Macaw | Manuel Sirgo |
Pegasus | 2007 | 53.5 cm | Pegasus, opus 325 | Robert J. Lang |
214 cm | ||||
Praying Mantis | 2007 | 214 cm | Praying Mantis, opus 246 | Robert J. Lang |
Rabbit | 2007 | 122 cm | Rabbit, opus 186 | Robert J. Lang |
Raccoon Dog | 2007 | 122 cm | Raccoon Dog | Noboru Miyajima |
Rhino Beetle | 2008 | 214 cm | Eupatorus gracilicornus, opus 476 | Robert J. Lang |
Rockhopper | 2007 | 20.8 cm | Penguin | Noboru Miyajima |
122 cm | ||||
2009 | 289 cm | |||
Swan | 2007 | 122 cm | Swan | Noboru Miyajima |
214 cm | ||||
289 cm | ||||
2008 | 53.5 cm | |||
Tarantula | 2008 | 53.5 cm | Tarantula | Robert J. Lang |
214 cm | ||||
Weasel | 2007 | 76.6 cm | Weasel | Noboru Miyajima |
214 cm | ||||
2008 | 122 cm | |||
289 cm | ||||
Wolf | 2007 | 289 cm | Wolf | Noboru Miyajima |
Notes
References
- ^ "Sarah Morris". The Museum of Modern Art. Retrieved 15 April 2021.
- ^ a b Getty. "Union List of Artist Names". Getty Research. Retrieved 14 January 2016.
- ^ a b Benezit. "Benezit Dictionary of Artists". Oxford Art Online. Retrieved 14 January 2016.
- ^ a b c d e f Francis Summers (2001–14). Morris, Sarah. Grove Art Online. Oxford Art Online. Oxford: Oxford University Press. Accessed May 2015. (subscription required)
- ^ a b c "MoMA". MoMA.org. Retrieved 26 March 2015.
- ^ "When the Painting Ends, the Film Begins". Locarno Film Festival. Retrieved 15 April 2021.
- ^ "Sarah Morris Artist in Focus". Rotterdam International Film Festival. Retrieved 15 April 2021.
- ^ "College of Fine Arts at the University of Texas". Landmarks. Retrieved 15 April 2021.
- ^ a b Alison Cuddy (17 December 2013). City Self exhibition attempts a portrait of Chicago. WBEZ91.5. Accessed April 2015.
- ^ a b Gaby Wood (23 May 2004). "Cinéma vérité". The Observer. Accessed March 2014.
- ^ Werner Miester (27 March 2010). Best Works by Sarah Morris on View at Gallery Meyer Kainer. Art Knowledge News. Archived 30 March 2010.
- ^ Holzwarth, Hans W. (2009). 100 Contemporary Artists A-Z (Taschen's 25th anniversary special ed.). Köln: Taschen. pp. 392–397. ISBN 978-3-8365-1490-3.
- ^ a b Rabinowitz, Cay Sophie. "Interview: Sarah Morris". Art In America. Retrieved 14 January 2016.
- ^ Erskine Design. "Frieze Magazine - Archive - Archive - Sarah Morris". frieze.com. Archived from the original on 18 December 2008. Retrieved 26 March 2015.
- ^ "DNB, Katalog der Deutschen Nationalbibliothek". Katalog der Deutschen Nationalbibliothek. Retrieved 26 March 2015.
- ^ "Tokyonews 76". palaisdetokyo.com. Retrieved 26 March 2015.
- ^ Sarah Morris: Black Beetle; June 1 - September 7, 2008
- ^ Erhard Metz (3 June 2009). Sarah Morris: Gemini Dressage. Feuilleton Frankfurt. Accessed May 2015.
- ^ D-sign.it. "Sarah Morris "China 9, Liberty 37"". mambo-bologna.org. Retrieved 26 March 2015.
- ^ Sarah Morris: Mechanical Ballet; November 17, 2012 - March 4, 2013 Archived April 29, 2014, at the Wayback Machine
- ^ Schlesinger, Toni. "Wonderful Towne! Lever House Hosts Homage to Screenwriter". observer.com. The Observer. Retrieved 6 May 2015.
- ^ "Kunsthalle Bremen - Current exhibitions - Exhibitions". kunsthalle-bremen.de. Retrieved 26 March 2015.
- ^ Sarah Morris - Installion Shots|Capitain Petzel
- ^ Coline Milliard (12 June 2012). Sarah Morris On Taking Big Ben Underground at London's Gloucester Road Tube Station. ArtInfo. Archived 18 December 2014.
- ^ "Sarah Morris: Odysseus Factor". ucca.org.cn. Retrieved 26 June 2018.
- ^ "La collection Sarah Morris". fondationlouisvuitton.fr. Retrieved 26 March 2015.
- ^ Museum of Contemporary Art Chicago. "CITY SELF - MCA Chicago". mcachicago.org. Retrieved 26 March 2015.
- ^ "A Project to Benefit The Farnsworth House and Glass House". art-agenda.com. Retrieved 26 March 2015.
- ^ "Barbican - Beijing (U*) (UK Premiere) + Sarah Morris". barbican.org.uk. Retrieved 26 March 2015.
- ^ "Guggenheim Museum - Exhibitions - The Shapes of Space". guggenheim.org. 1 April 2007. Retrieved 26 March 2015.
- ^ "L'évènement Sarah Morris - Centre Pompidou". centrepompidou.fr. Retrieved 26 March 2015.
- ^ "Albright Knox Collection". Albright Knox Art Gallery. Retrieved 14 January 2016.
- ^ "Berado Collection". The Berado Collection. Retrieved 14 January 2016.
- ^ "British Council Collection". British Council: Visual Arts. Retrieved 14 January 2016.
- ^ "Le Consortium Collection". Le Consortium. Retrieved 14 January 2016.
- ^ "Centre Pompidou Collection". Centre Pompidou. Retrieved 14 January 2016.
- ^ "Cooper Hewitt Collection". Cooper Hewitt. Retrieved 14 January 2016.
- ^ "Dallas Museum of Art Collection". Dallas Museum of Art. Retrieved 14 January 2016.
- ^ "Fondation Louis Vuitton Collection". Fondation Louis Vuitton. Retrieved 14 January 2016.
- ^ "FRAC Bourgogne Collection". FRAC Bourgone. Retrieved 14 January 2016.
- ^ "FRAC Poitou-Charentes Collection". FRAC Poitou-Charentes. Retrieved 14 January 2016.
- ^ "Government Art Collection". Government Art Collection. Retrieved 14 January 2016.
- ^ "Guggenheim Museum Collection". Guggenheim Museum. Retrieved 14 January 2016.
- ^ "Kunsthalle Bremen Online Katalog". Kunsthalle Bremen. Retrieved 14 January 2016.
- ^ "Kunstmuseum Wolfsburg Collection". Kunstmuseum Wolfsburg. Retrieved 14 January 2016.
- ^ "Lenbachhaus Collection". Lenbachhaus. Retrieved 14 January 2016.
- ^ "Art Gift to Pérez Art Museum Miami by Mimi and Bud Floback Grows to Nearly 30 Major Works". Pérez Art Museum Miami. Retrieved 14 January 2016.
- ^ "Musee d'Art Moderne de la Ville de Paris Collection". Musee d'Art Moderne de la Ville de Paris. Archived from the original on 31 July 2014. Retrieved 14 January 2016.
- ^ "Museum of Contemporary Art Los Angeles Collection". Museum of Contemporary Art Los Angeles. Retrieved 14 January 2016.
- ^ "MMK Collection". MMK Museum Für Moderne Kunst. Retrieved 14 January 2016.
- ^ "Positive Fragmentation: From the Collections of Jordan D. Schnitzer and His Family Foundation". National Museum of Women in the Arts. Retrieved 11 November 2023.
- ^ "Daimler Art Collection". Daimler Art Collection. Retrieved 14 January 2016.
- ^ "Steelijk Museum Amsterdam Collection". Steelijk Museum Amsterdam. Retrieved 14 January 2016.
- ^ "Tate Modern Collection". Tate Modern. Retrieved 14 January 2016.
- ^ "UBS Art Collection". UBS Art Collection. Retrieved 14 January 2016.
- ^ "Yale Center for British Art Collection". Yale Center for British Art. Retrieved 14 January 2016.
- ^ "Victoria and Albert Museum Collection". Victoria and Albert Museum. Retrieved 14 January 2016.
- ^ a b c d e f g Rabinowitz, Cay Sophie. "Interview: Sarah Morris". Art in America. Retrieved 20 April 2015.
- ^ Sherwin, Skye. "Artist Sarah Morris's Latest Film Beijing". Wallpaper. Retrieved 20 April 2015.
- ^ Moshayedi, Aram. "Looking Glass". Artforum. Retrieved 20 April 2015.
- ^ Cuddy, Alison. "City Self exhibition attempts a portrait of Chicago". WBEZ91.5. Retrieved 20 April 2015.
- ^ Johnson, Paddy; Leifheit, Matthew. "Orange: Sarah Morris at Petzel Gallery". Artfcity. Retrieved 20 April 2015.
- ^ Kawahito, Wakana. "Fondation Louis Vuitton". SHIFT. Retrieved 20 April 2015.
- ^ "Sarah Morris". Interview Magazine. Retrieved 24 March 2017.
- ^ Briegleb, Till. "Wo Gretel herrscht". sueddeutsche.de (in German). ISSN 0174-4917. Retrieved 24 March 2017.
- ^ Artists Committee Americans for the Arts.
- ^ a b Dalya Alberge (5 June 2011). Tate artist Sarah Morris 'unfolded' our works, claim leading origami designers. The Observer. Accessed March 2018.
- ^ Dan Duray (28 May 2013). Beneath the Fold: The Twisted Tale of Origami v. Sarah Morris. New York: Observer. Accessed March 2018.
- ^ Sarah Morris Works Attribution. Robert J. Lang origami. Accessed March 2018.
Further reading
- Modern Worlds, 1999 ISBN 1-901-352-05-6
- Capital, 2001 ISBN 3-89611-098-5
- Sarah Morris: Bar Nothing, 2004 ISBN 0-9546501-1-5
- Los Angeles, 2005 ISBN 3-00-016363-8
- 1972, 2008 ISBN 978-3-86560-460-6
- Sarah Morris: Lesser Panda, 2008 ISBN 978-1-906072-16-2
- Beijing, 2009 ISBN 978-3-86560-646-4
- Sarah Morris: Clips, Knots, and 1972, 2010 ISBN 978-89-92819-55-8
- You Cannot Trust A Surface, 2011 ISBN 978-3-86984-054-3
- An Open System Meets an Open System: Sarah Morris and Hans Ulrich Obrist in Conversation, 2013 ISBN 978-3-7091-1031-7
- Sarah Morris: Bye Bye Brazil, 2013 ISBN 978-1-906072-82-7
- Sarah Morris: Mechanical Ballet, 2014 ISBN 978-2-36380-065-7
- Frédéric Paul, Sarah Morris: Capital Letters Rear Better for Initials. S.l.: Verlag der Buchhandlung Walther Konig. 5 November 2015. ISBN 978-3-941360-46-4.
- Morris, Sarah (2015). Crease Folds. Sarah Morris (ed.). Ivorypress LiberArs. ISBN 978-84-942820-7-2.
- Two Erasing Principles, 2016 ISBN 6055815370
- Sarah Morris, 2018 ISBN 978-952-5509-58-8
- Michael Archer. "Sarah Morris", Artforum, May 2009, p. 170
- Nick Haymes, "Sarah Morris", Art Review, May 2009, pp. 70–7
- Hans Ulrich Obrist, "Sarah Morris", Adam & Eve, March/April/May 2009, pp. 78–91
- Eric Banks, "Seeing Red", Men's Vogue, August 2008, pp. 114–119
- Adrian Searle, "Dazzled by the Rings", The Guardian, 30 July 2008
- Christopher Turner, "Beijing City Symphony", Modern Painters, July/August 2008, pp. 56–59
- Marcus Verhagen, "Nomadism", Art Monthly October 2006
- Tanja Widmann, "To Offer You Something", Texte Zur Kunst, September 2006, pp. 248–251
- Ezra Petronio and Stephanie Moisdon, "Bar Nothing by Sarah Morris", Self Service, Issue No.21, Fall/Winter 2004, pp. 302–315
- Grosenick, Uta; Riemschneider, Burkhard, eds. (2005). Art Now (25th anniversary ed.). Köln: Taschen. pp. 196–199. ISBN 9783822840931. OCLC 191239335.