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Shalshelet - Wikipedia

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shalshelet

שַׁלְשֶׁ֓לֶת‎

֓‎

וַיֹּאמַ֓ר‎

׃‎

׀‎

֑‎

֒‎

֓‎

֔‎

֕‎

֖‎

֗‎

֘‎

֙‎

֚‎

֛‎

֜‎

Geresh muqdam [de]

֝‎

Gershayim

֞‎

Karne parah

֟‎

Telisha gedola/talsha

֠‎

Pazer

֡‎

Atnah hafukh [de]

֢‎

֣‎

֤‎

֥‎

֦‎

֧‎

֨‎

֩‎

֪‎

֫‎

֬‎

Dehi [de]

֭‎

Tsinnorit

֮‎

The Shalshelet (Hebrew: שַלְשֶלֶת) is a cantillation mark found in the Torah. It is one of the rarest used, occurring just four times in the entire Torah,^[1] in Genesis 19:16, 24:12, and 39:8, and in Leviticus 8:23. The four words accented with the shalshelet mark all occur at the beginning of the verse.^[2]

The Hebrew word שַׁלְשֶׁ֓לֶת translates into English as chain.^[3] Kabbalistic authors have held that this shows the connection of the worlds by the links of a chain.^[4]^[5] The symbolism of the Shalshelet is that the subject of the story is wrestling with his inner demons and is undergoing some hesitation in his actions.^[6]^[7]

It is rendered musically by a long and elaborate string of notes, giving a strong emphasis to the word on which it occurs.

Purpose

The Shalshelet mark is said to be used for various purposes:

In Genesis 19:16, it is used on the word "VaYitmah'maH" (and he lingered), when Lot is lingering in Sodom as it is marked for destruction, to show Lot's uncertainty.^[8]^[9]
In Genesis 24:12, it is used on the word "Vayomer" (and he said), when Abraham's servant is trying to find a woman to marry Abraham's son Isaac, to indicate the hesitation the servant shows.^[10]
In Genesis 39:8, it is used on the word "VaY'maen" (and he refused), during Joseph's attempted seduction by Potiphar's wife, to indicate Joseph's struggle against temptation.^[11]
In Leviticus 8:23, the Shalshelet is used on the word "Vayishchat" (and he slaughtered), because Moses was slaughtering an animal in preparation for the anointment of his brother and nephews as priests, a position he coveted for himself. He is therefore sad he was not given this honor.^[6]

Grammatically it is equivalent to segolta, but is never preceded by a conjunctive accent or a disjunctive of a lower class. It is thus related to segolta in the same way as Zakef gadol is related to zakef katan, or Yetiv to Pashta.

Total occurrences

Book	Number of appearances
Torah	4^[12]
Genesis	3^[12]
Exodus	0^[12]
Leviticus	1^[12]
Numbers	0^[12]
Deuteronomy	0^[12]
Nevi'im	2^[13]
Ketuvim	1^[13]

The shalshelet note occurs a total of 7 times in Tanakh outside of the Sifrei Emet. They are:^[14]

ויתמהמה Genesis 19:16
ויאמר Genesis 24:12
וימאן Genesis 39:8
וישחט Leviticus 8:23
ונבהלו Isaiah 13:8
ויאמר Amos 1:2
ואמר-לה Ezra 5:15

Additionally, the note occurs^{[citation needed]} 39 times in Psalms, Proverbs, and Job.

Melody

The Shalshelet has a melody similar to that of 3 Pazers. According to Chabad tradition, it is equivalent to 2 Pazers and one Tlisha Gedolah. Rabbi Stolik of Chabad Caltech disputes this "Chabad" tradition. It is approximately 30 notes, though this number varies depending on the word on which it is used.

External links

References

^ Jacobson, J.R. (2005). Chanting the Hebrew Bible (Student ed.). Jewish Publication Society. p. 60. ISBN 9780827610484. Retrieved 2015-04-08.
^ Kelley, P.H.; Mynatt, D.S.; Crawford, T.G. (1998). The Masorah of Biblia Hebraica Stuttgartensia: Introduction and Annotated Glossary. Eerdmans Publishing Company. p. 147. ISBN 9780802843630. Retrieved 2015-04-08.
^ Wolfson, E.R. (1995). Circle in the Square: Studies in the Use of Gender in Kabbalistic Symbolism. State University of New York Press. p. 211. ISBN 9780791424056. Retrieved 2015-04-08.
^ Steinsaltz, R.A. (2007). Understanding the Tanya: Volume Three in the Definitive Commentary on a Classic Work of Kabbalah by the World's Foremost Authority. John Wiley & Sons. p. 302. ISBN 9780787988265. Retrieved 2015-04-08.
^ Samuel, G. (2007). The Kabbalah Handbook: A Concise Encyclopedia of Terms and Concepts in Jewish Mysticism. Jeremy P. Tarcher/Penguin. pp. 2–327. ISBN 9781585425600. Retrieved 2015-04-08.
^ ^a ^b "Under Duress in VaYeshev: The Shalshelet | Jewish Boston Blogs". jewishboston.com. Retrieved 2015-04-08.
^ "On Not Trying to Be What You Are Not - Covenant & Conversation - Parsha". chabad.org. Retrieved 2015-04-08.
^ Jacobs, L. (1995). The Jewish Religion: A Companion. Oxford University Press. p. 65. ISBN 9780198264637. Retrieved 2015-04-08.
^ Goldstein, E. (2008). The Women's Torah Commentary: New Insights from Women Rabbis on the 54 Weekly Torah Portions. Jewish Lights Publishing. p. 64. ISBN 9781580233705. Retrieved 2015-04-08.
^ Isaacs, R.H. (2006). A Taste of Torah: An Introduction to Thirteen Challenging Bible Stories. URJ Press. p. 73. ISBN 9780807408131. Retrieved 2015-04-08.
^ Telushkin, J. (1991). Jewish Literacy: The Most Important Things to Know About the Jewish Religion, Its People, and Its History. HarperCollins. p. 24. ISBN 9780688085063. Retrieved 2015-04-08.
^ ^a ^b ^c ^d ^e ^f Concordance of the Hebrew accents in the Hebrew Bible: Concordance ..., Volume 1 By James D. Price, page 6
^ ^a ^b Concordance of the Hebrew accents in the Hebrew Bible: Concordance ..., Volume 1 By James D. Price, page 5
^ Weisberg, David. “The Rare Accents of the Twenty-One Books.” The Jewish Quarterly Review, vol. 56, no. 4, ser. 2, 1966, p. 320

Torah reading

Books that are read

Readings

Process

Equipment

Cantillation

Katan group	Mahpach Pashta Munach Zakef katan Kadma Yetiv
Etnachta group	Mercha Tipcha Munach Etnachta
Sof Passuk group	Mercha Tipcha Mercha Sof passuk
Segol group	Munach Zarka Munach Segol
Telisha group	Munach Pazer Telisha Ketana/Gedola
Other	Zakef gadol Rivia Gershayim Darga Tevir Kadma (V'Azla) Geresh
Rare	Shalshelet Mercha kefula Yerach ben yomo Karne parah

Category:

Cantillation marks

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