"The Ballad of Lucy Jordan" is a song by American poet and songwriter Shel Silverstein. It was originally recorded in 1974 by Dr. Hook & the Medicine Show, with the name spelled "Jordon". The song describes the disillusionment and mental deterioration of a suburban housewife, who climbs to a rooftop "when the laughter grew too loud".

"The Ballad of Lucy Jordan"
Single by Marianne Faithfull
from the album Broken English
B-side	"Brain Drain"
Released	26 October 1979 (1979-10-26)
Recorded	May–July 1979 Matrix Studios, London
Genre	New wave electronic[1]
Length	4:09
Label	Island
Songwriter(s)	Shel Silverstein
Producer(s)	Mark Miller Mundy
Marianne Faithfull singles chronology
"The Way You Want Me To Be" (1978) "The Ballad of Lucy Jordan" (1979) "Broken English" (1980)
Official video
"The Ballad Of Lucy Jordan" at TopPop on YouTube

The song was recorded by the English singer Marianne Faithfull for her 1979 album Broken English. This version was released as a single in October 1979, and became one of her highest-charting songs. It is featured on the soundtracks to the films Montenegro, Tarnation and Thelma & Louise. Faithfull also performed the song during a guest appearance in the episode "Donkey" from the fourth season of Absolutely Fabulous, in which God (Faithfull) sings the song in a dream to a miserable, dieting Edina. In 2016, the Faithfull version was used in the finale of American Horror Story: Hotel.^[2]

In an interview on ITV's The South Bank Show aired on 24 June 2007, Faithfull said that her interpretation was that Lucy climbs to the rooftop but gets taken away by "the man who reached and offered her his hand" in an ambulance ("long white car") to a psychiatric hospital, and that the final lines ("At the age of thirty-seven she knew she'd found forever / As she rode along through Paris with the warm wind in her hair ...") are actually in her imagination at the hospital.^[3] Thelma and Louise has a similar fatalistic theme.^[4]

The official music video for the song features Faithfull alone, smartly dressed and with coiffured hair adorned with ornate golden oak leaves. Shots with her squatting on the floor hugging herself or her standing looking tense, anxious and remote, alternate and overlap with shots of her singing the song, either in full length or in close-up portrait.

Smash Hits said, "The Debbie Harry of the sixties returns to vinyl with an honestly outstanding offering, a version of an old Doctor Hook number related over a swimming synthesiser. If you can handle this, it sounds like Dolly Parton produced by Brian Eno. Only better."^[5]

AllMusic noted Faithfull's "faint vocal approach accompanied by the lone synthesizer emanates an eerie candor throughout the song's duration. This wispiness helps to build the fantasy/reality concept of the song, and shows Faithfull at her most sincere."^[6] Pitchfork mentioned the, "pain in her fractured voice".^[7]

The Arts Desk said, "Pin-sharp, it was laceratingly at one with the dark clouds gathering over music in the wake of punk."^[8] Billboard ranked the song number on its list of the top ten greatest Marianne Faithfull songs.^[9]

• Marianne Faithfull – vocals
• Steve Winwood – synthesizer^[10]

• 1975: Johnny Darrell, on his album Water Glass Full Of Whiskey
• 1976: Lee Hazlewood, on his album 20th Century Lee
• 1980: Marie Bottrell, on her album The Star, reached #10 in the Canadian country charts^[20]
• 1995: The Barra MacNeils, on their album The Question, reached #50 in the Canadian AC charts^[21]
• 1996: Belinda Carlisle, on her album A Woman and a Man
• 2000: Dennis Locorriere, on his album Out of the Dark (as the singer for Dr. Hook, he performed on the original version of the song)
• 2005: Bobby Bare, on his album The Moon Was Blue
• 2010: Lucinda Williams, on the Shel Silverstein tribute album Twistable Turnable Man
• 2017: Kikki Danielsson, on her album Portrait of a Painted Lady.^[22]