The Biscuit Eater (1940 film)

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The Biscuit Eater (1940 film)

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The Biscuit Eater
Directed by	Stuart Heisler
Written by	Stuart Anthony Lillie Hayward
Based on	the short story "The Biscuit Eater" by James H. Street
Produced by	Jack Moss
Starring	Billy Lee Cordell Hickman Richard Lane
Cinematography	Leo Tover
Edited by	Everett Douglas
Music by	Friedrich Hollaender
Production company	Paramount Pictures
Distributed by	Paramount Pictures
Release date	May 22, 1940 (1940-05-22) (New York City)
Running time	81-82 minutes
Country	United States
Language	English

The Biscuit Eater is a 1940 children's film directed by Stuart Heisler and starring Billy Lee and Cordell Hickman as two kids who raise a runt of a dog. It was named one of the Top Ten Films of 1940 by the National Board of Review.^[1] Walt Disney Productions made a 1972 remake under the same title.

Plot

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Harvey McNeil breeds and trains quail bird dogs for his new boss Mr. Ames, who has recently inherited the breeding. Harvey's young son Lonnie wants a dog of his own. Dixie has a litter of pups and Lonnie wants to raise the runt. Dad explains you have to keep the blood lines strong and the runts need to be killed. Also any dog that likes to eat chicken eggs is known as a biscuit eater and a poor bird dog because of its attraction to the wrong kind of bird.

Lonnie eventually gets a dog named Promise who he raises with his best friend Text. Unfortunately Promise likes chicken eggs and Dad orders the dog removed from the farm. The boys rescue the dog from the man who lives in a swamp. The boys have many misadventures with rattlesnakes, skunks and shotguns as they secretly train the dog.

To prove that his dog is a worthy bird dog, Lonnie enters 'Prom' into the field trials in direct competition with his father's champion. Dad orders his son to withdraw but Mr. Ames sees it as a good learning experience for the boy. Lonnie and Text compete all day and end up in the finals against the father's dog. Text is told if the father loses, Mr. McNeil may lose his trainer's job. Lonnie purposely calls his dog off point and loses.

Later that night Promise returns home and as he tries to jump into the dog pen he is shot by the farm hand. As Lonnie holds his dying dog, he apologizes for not letting him win and calling him a 'biscuit eater'. The father overhears his son explain how he was protecting his dad's job. Promise is the sire of the next line of pups.

Cast

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Billy Lee as Lonnie McNeil
Cordell Hickman as Text Lee
Richard Lane as Harvey McNeil
Lester Matthews as Mr. Ames
Helene Millard as Mrs. McNeil
Fred Toones as Sermon (as Snowflake)
Tiverton Invader as Promise, aka The Biscuit Eater

Production

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Casting

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Baby LeRoy was originally cast as Lonnie McNeil. While filming the first scene on location, which called for LeRoy to swing across a lake on a rope, he fell into the water twice.

By the following day, he had lost his voice from a cold. As the entire crew was on location, the accident forced the director to choose between recasting or holding up production until he recovered. The director chose to recast, and Billy Lee replaced LeRoy in the role.^[2]

References

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^ "1940 Award Winners". National Board of Review. Retrieved January 5, 2015.
^ "clothing and costumes worn by child actors: Baby LeRoy". Histclo.com. Retrieved 2011-12-27.

External links

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The Biscuit Eater at IMDb
The Biscuit Eater at the TCM Movie Database
‹The template AllMovie title is being considered for deletion.› The Biscuit Eater at AllMovie

Films directed by Stuart Heisler

Straight from the Shoulder (1936)
The Biscuit Eater (1940)
The Monster and the Girl (1941)
Among the Living (1941)
The Glass Key (1942)
The Remarkable Andrew (1942)
The Negro Soldier (1944)
Along Came Jones (1945)
Blue Skies (1946)
Smash-Up, the Story of a Woman (1947)
Tulsa (1949)
Tokyo Joe (1949)
Chain Lightning (1950)
Dallas (1950)
Storm Warning (1951)
Journey into Light (1951)
Saturday Island (1952)
The Star (1952)
Beachhead (1954)
This Is My Love (1954)
I Died a Thousand Times (1955)
The Lone Ranger (1956)
The Burning Hills (1956)
Hitler (1962)

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