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Thomas Hörl (born October 17, 1975 in Hallein, Austria) is a visual artist.^[1]

Hörl spent his childhood and youth in Golling an der Salzach and Salzburg. Hörl's center of life is currently in Vienna, where he rents a studio in the sculpture buildings of the federal government in the former 1873 world expo pavilions.^[2] He studied art at Academy of Fine Arts Vienna, at Iceland University of the arts Reykjavík and Tokyo Zokei University.^[3] Before his studies he was trained as a chef and visited a school for sculpture.^[4]

He works solo as well as in various collaborations (Gin Müller, Sir Meisi, Michikazu Matsune, Jakob Lena Knebl, Sodom Vienna) and from 2003-2020 in the artist group kozek hörlonski together with Peter Kozek. In the year 2020, however, the two have appeared in their collaborations under their civil names and have dispensed with a group name.^[5] Together with Peter Kozek, he was awarded the Prize for Visual Arts 2021 by the City of Vienna for their joint work.^[6]

Hörl's artistic focus is on researching regional customs and traditions. The artist transfers folkloric contents and forms into new contexts. Using the collage technique as well as reenactment, extensive installations are created. His artistic work includes performance, video works, installation, object, collage, and staged photography, and recently film projects are increasingly appearing in his diverse oeuvre.^[7] As part of artist-in-residence programs or self-organized work residencies, he has been active in Berlin, Frankfurt am Main, Tokyo, Paris, London, Vilnius, Tallinn, Tirana, Timișoara, Warsaw and Reykjavík. Thomas exhibited mainly in Austria but also in Germany, Tokyo, London, Tallinn and Los Angeles.^[8] In 2017–2019, Hörl collaborated with Peter Kozek and Alexander Martinz on the film trilogy Demonic Screens which was screened at Steirischer Herbst 2018,^[9] Reaktor Vienna 2019^[10] and Diagonale - Festival of Austrian Film Graz 2020,^[11] among others. The latest film LICHTHÖHE from 2021 was made together with Peter Kozek and Victor Jaschke^[12] for the art project SERPENTINE - a touch of heaven (and hell)^[13] curated and organized by Michael Zinganel along the Grossglockner High Alpine Road and was shown in a "non-stop container cinema" and is distributed by sixpackfilm.^[14] Since 2021 he has been working on a silent film project (F.W.M. Symphony) about the disappearance of F.W. Murnau's head from its burial place.^[15] The featurette movie premiered in the US at 19th Another Hole in the Head Film Festival in late 2022^[16] and in spring 2023 in Europe at III. Pápa International Historical Film Festival (Hungary).^[17] Both festivals honored the film with awards.^[18] In 2022 a monograph on his solo art work to date entitled Curtain Walls & Rautenballett, is published by Verlag für moderne Kunst.^[19] 2022 the artist was shortlisted for the Grand Art Prize of the Province of Salzburg.^[20]2024 Hörl was creating a portrait gallery about austrian Perchten figures and widely installed at Joanneums Neue Galerie vestibule – commissioned by Steirischer Herbst '24.^[21]

Soloshows at the Castle Museum of Golling (2023), Kunstraum Pro Arte Hallein (2022), Kulturdrogerie Vienna ^[22] (2020), Salzburg Museum (2018), Zeta Gallery Tirana^[23] (2016), Austrian Museum of Folk Life and Folk Art Vienna^[24] (2016/17), Dwarf Gallery in Reykjavík (2012); Group shows at Neue Galerie Graz (2024), EKO9 Triennial of Art and Environment Maribor (2024),^[25] Soho Studios Vienna (2023), Museum of applied Arts Vienna (2022), Centrum Berlin (2017), Museum Villa Rot^[26] (2014/15), ACF London^[27] (2013), mumok Vienna (2004); Festival partizipation at Wien Modern^[28] (2022), Tanzquartier Wien – Centre for Contemporary Choreography and Performance Vienna (2022), Diagonale (2020), Steirischer Herbst Graz (2018), Internationale Schillertage Mannheim (2011).

• Serpentine – A touch of heaven (and hell), Temporary Art Interventions along the Grossglockner High Alpine Road, Michael Zinganel (ed.) Vienna 2023.^[29] ISBN 978-3-901371-10-3
• THE FEST – Between Representation and Revolt, exhibition catalogue with texts by Chiara Baldini, Bogomir Doringer, Brigitte Felderer, Rainald Franz, Sebastian Hackenschmidt, Lilli Hollein, Werner Oechslin, Kathrin Pokorny-Nagel, Anne-Katrin Rossberg, Peter Sandbichler, Lara Steinhäußer, Bärbel Vischer, Mio Wakita-Elis and Marlies Wirth, german/english; Lilli Hollein, Brigitte Felderer, Anne-Katrin Rossberg, eds. (Birkhäuser Verlag, Basel 2023).^[30] ISBN 978-3-0356-2692-6
• Curtain Walls & Rautenballett, Thomas Hörl (ed.), monograph with texts by Simone Egger, Brigitte Felderer and Hörl, german/english; (VFMK Verlag für moderne Kunst Vienna 2022).^[31] ISBN 978-3-903439-23-8
• Viewpoints on Folklore, Claudia Marion Stemberger (ed.), exhibition catalogue with texts by Thomas Hörl, Johanna Kandl, Helmut Kandl, Peter Kozek, Wolfgang Meisinger, Sascha Reichstein, Ruby Sircar, and Claudia Marion Stemberger, german/english;^[32] ISBN 978-3-200-03141-8

• 7″ Vinyl: Thomas Hörl. Matthias, Wiener Phonogrammarchiv with remixes by Cherry Sunkist and das_em, documentation of the exhibition Matthias, text, poster; Thomas Hörl, ed. (Vienna / Salzburg 2015)^[33]
• 10″ Vinyl: pastforward – 100 Jahre Kunstverein Baden, 100 years anniversary edition, text, gatefoldcover, kozek hörlonski, Thomas Hörl, Peter Kozek, Kunstverein Baden, ed. (Vienna / Baden 2016)^[34]

• portfolio at visual art archive: https://www.basis-wien.at/db/person/71888
• Tumblr
• kozek-hoerlonski.com
• fwms.film