Ten Days
Studio album by Fred Again
Released	6 September 2024 (2024-09-06)
Recorded	2023 – 18 July 2024
Genre	House[1]
Length	47:13
Label	Atlantic
Producer	Will Bloomfield Boo Chika Four Tet Fred Again Joy Anonymous Barney Lister Parisi Sampha Skrillex Tony Friend Tobias Wincorn
Fred Again chronology
Secret Life (2023) Ten Days (2024)
Singles from Ten Days
"Adore U" Released: 11 August 2023 "Ten" Released: 13 October 2023 "Places to Be" Released: 31 May 2024 "Peace U Need" Released: 13 September 2024 [2]

Ten Days is the fourth studio album from British producer Fred Gibson under the stage name Fred Again. It was released on 6 September 2024 through Atlantic Records, and features guest appearances by Obongjayar, Jozzy, Jim Legxacy, Sampha, Soak, Anderson .Paak, Chika, Duskus, Four Tet, Skrillex, Emmylou Harris, Joy Anonymous, the Japanese House and Scott Hardkiss.

On 18 July 2024, the producer announced that he had just finished the album.^[3] Gibson explained the idea behind the album title to be "ten songs about ten days".^[4] He further reminisced about the experiences he made over the previous year, saying that the most memorable moments stem from "very small quiet intimate moments".^[5] The album will be released on vinyl on 25 October.^[6] It includes the singles "Adore U", "Ten" and "Places to Be".^[7]

Professional ratings

Aggregate scores
Source	Rating
Metacritic	73/100[8]
Review scores
Source	Rating
AllMusic	[9]
Clash	9/10[10]
Dork	[11]
Evening Standard	[12]
The Guardian	[1]
The Line of Best Fit	7/10[13]
MusicOMH	[14]
NME	[15]
Rolling Stone	[16]

According to the review aggregator Metacritic, Ten Days received "generally favorable reviews" based on a weighted average score of 73 out of 100 from 9 critic scores.^[8]

Jem Aswad's review for Variety states that "while much of the music here will sound familiar to fans, Gibson is morphing it into new shapes throughout the album."^[17] Writing for NME, Rhian Daly states that the album "excels on two fronts – when Fred and his collaborators dig up a more interesting take on the influence of love, and when the producer turns his sights to the dancefloor."^[15] Michaelangelo Matos' review for Rolling Stone states that the album's "glittery, affectless quality that can feel like a lack of commitment, even as you note the sheer amount going on during a given track."^[16] In his review for The Guardian, Alexis Petridis writes: "a kind of vague all-purpose wistfulness – a signifier of depth, rather than the definite article – hangs over virtually everything here."^[1] Vicky Jessop of Evening Standard, writes the album is "some of the most heartfelt stuff that Fred again.. has ever put out, but it’s also some of the least catchy."^[12] Clash's Harvey Marwood concludes his review stating that the album "explores the contours of the dancefloor whilst never forgoing its gushy, human centre."^[10] Writing for Dork, Martyn Young described the album as "immaculately crafted with his ear for a hook sharper than ever."^[11] Resident Advisor's Shaad D'Souza called the album "another uncomplicated, largely forgettable LP that feels trapped in a nostalgia loop."^[18] Writing for The Line of Best Fit, Hayley Milross wrote that the album "has a brand new way of being vulnerable, one that sways between euphoric highs and more introspective realisations."^[13] Reviewing the album for AllMusic, Paul Simpson described it as, "Short, numbered interludes, often drunken singalongs or muddled messages, alternate between proper songs, letting intimate moments set the stage for radio-friendly anthems."^[9]

Musicians

Technical

• Fred Again – mastering, mixing, engineering
• Four Tet" – mastering, mixing (track 2)
• Skrillex – mastering, mixing (tracks 10, 12)
• Matt J. Barnes – engineering (tracks 1, 3–9, 11–14, 16–20)
• Drew Gold – engineering assistance (10)
• Katie Foreman – engineering assistance (tracks 14, 16)