Padosan
Film poster
Directed by	Jyoti Swaroop
Written by	Rajinder Krishan
Based on	Pasher Bari by Arun Chowdhury
Produced by	Mehmood N. C. Sippy
Starring	Sunil Dutt Saira Banu Mehmood Kishore Kumar Om Prakash
Cinematography	K. H. Kapadia
Edited by	D. N. Pai
Music by	R. D. Burman
Distributed by	Kailash Dossani Investments Pvt. Ltd. Mehmood Productions
Release date	29 November 1968 (1968-11-29)
Running time	157 minutes
Country	India
Language	Hindi

Padosan (pronounced [pə.ɽoː.san], transl. Female Neighbour) is a 1968 Indian Hindi-language musical comedy film directed by Jyoti Swaroop and produced by Mehmood, N. C. Sippy and written by Rajendra Krishan.^[1] It is a remake of the Bengali-language film Pasher Bari (1952) based on a short story of the same name by Arun Chowdhury, starring Bhanu Bandyopadhyay and Sabitri Chatterjee. The film stars Sunil Dutt and Saira Banu. Kishore Kumar, Mukri, Raj Kishore and Keshto Mukherjee played the supporting roles.^[2]

Indiatimes Movies ranked the film amongst the "Top 25 Must See Bollywood Films".^[3] Music was composed by R. D. Burman. Kumar sang for himself while Manna Dey sang for Mehmood. Many of the scenes were shot in Brindavan Gardens located near the city of Mysore.

Bhola is an innocent young man who lives with his maternal uncle (Mama) Kunwar Pratap Singh. Bhola is enraged at Pratap Singh who has been searching for a girl to marry, even though his wife is alive. Angry, he leaves his uncle's house and moves in to live with his Aunt (Pratap's wife). There, he finds a beautiful neighbour Bindu and falls in love with her. Bindu however, gets annoyed by Bhola and refutes his advances. Vidyapati aka Guru, who is a singer and theater actor and Bhola's friend and mentor comes to his rescue and spies on Bindu.

Bindu tolerates advances of her South Indian music teacher Master Pillai aka Masterji. Guru realizes that Bindu loves music and that is the reason for her closeness with Masterji. He tries to teach Bhola to sing but fails miserably. Inspired by dubbed songs, he devises an idea and asks Bhola to mimic the lyrics to songs while he does the real singing in the background himself. Their plan to impress Bindu succeeds and Bindu slowly starts falling in love with Bhola, much to the chagrin of Masterji.

When singing at Bindu's birthday party, one of her friends becomes suspicious at Bhola's voice. She leads Bindu to discover Bhola's fake act. It makes Bindu angry and in a fit of rage, she agrees to the marriage proposal of Kunwar Pratap Singh, which she had earlier rejected upon knowing that he is Bhola's Maternal Uncle. Guru and his gang visit Pratap Singh and plead him to reject the proposal for his nephew's love, to which Pratap Singh agrees. This further enrages Bindu who decides to marry Masterji, just to get even with Bhola.

Helpless to stop the wedding, Guru comes up a last-ditch plan to fake Bhola's suicide. They arrange a suicide scene and start shouting and mourning Bhola's "death". Everyone arrives at the scene including Bindu who is deeply shocked and tries to wake him up. Guru tells her that only her unrequited love could have a chance of bringing the dead back and encourages her to try harder. After some more pretending, Bhola finally cries and wakes up, embracing Bindu. Everyone including Masterji is happy and shocked to see the power of true love. In the end, Bhola's Maternal Uncle and Aunt also reconcile and bless the newlywed couple. In the last scene of movie, Masterji is shown playing 'Shehnai' with tears in his eyes.

All lyrics are written by Rajendra Krishan, all music is composed by R.D. Burman. Kishore Kumar's character in the film was inspired by the personality of his uncle, Dhananjay Banerjee (a classical singer),^[5] and music director Khemchand Prakash. The song Ek Chatur Naar was originally sung in the 1941 movie Jhoola by Ashok Kumar.^[6][7]

Hindi films never played in Chennai for many years because of the agitation against force-feeding the language to Tamilians. When I went to see Padosan, I went to protest against it – we had been told it was a film where South Indians were made fun of. We went in to agitate, came out smiling, as fans of Mehmood saab, imitating him. I told Mehmood saab this story many years later when I met him. And that’s how I started watching Hindi films again.

— Kamal Haasan^[8]

Indiatimes Movies ranked the film amongst the "Top 25 Must See Bollywood Films"^[3] Amit Upadhaya of ThePrint in a retrospective article on film's 50th anniversary wrote, ″As cult comedy films go, Jyoti Swaroop’s Padosan is one of the few in Hindi film history to never run out of laughs. The trademark innocent lunacy of the lovable film turned 50 this year″^[9] In a similar 50th anniversary article, Devansh Sharma of Firstpost gave credit to RD Burman's music for changing the state of comedy genre in Hindi films as he felt that ″Burman's music gave wings to the camera that was otherwise doomed to sit still. Krishan's poetry also allowed the editor and director a lot of freedom as they could choose the appropriate shot for every emotion expressed in the songs.″^[10]

Character ″Muranchand Swami″ played by Satish Kaushik in 1996 film Saajan Chale Sasural was inspired from character Master Pillai from this film. In an interview Kaushik stated that Mehmood in Padosan inspired him to become an actor, he further said ″ I was lucky enough to recreate that kind of role in Sajan Chale Sasural and I got the Filmfare Award also. That was a vital inspiration for me.″^[11]

Characters of animated series Guru Aur Bhole which aired on Sony Yay, were inspired by Kishore Kumar's and Sunil Dutt's characters from the film. The voice artist for the character Guru is Amit Kumar, son of Kishore Kumar.^[12]

• Padosan at IMDb